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                <text>Lowestoft Drifter unmeshing Mackerel, Newlyn Pier</text>
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                <text>Lowestoft boats moored at Newlyn in the 1930s. Steam drifters, they could be seen from Cornwall's southern cliffs as a long string of sparkling lights on the horizon when they fished the pilchard harvest from late August into October.</text>
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                <text>Lowestoft lugger "Girl Annie" ashore Redworks</text>
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The stranding of the Lowestoft sailing trawler Girl Annie, near Pordenack Point, Land's End, on May 4th 1908, was investigated at a Board of Trade inquiry held at Lowestoft on Thursday. The local trawling industry was strongly represented, and took keen interest in the proceedings. In opening the inquiry on behalf of the Board of Trade, Mr. Wiltshire said the Girl Annie was, of 53 tons register, and was built six years ago at cost of over £1,400. She was insured for £1,000, and carried a crew of five hands. The vessel left Padstow for Lowestoft on May 3rd, and stranded early on the following day. On Sunday night there was thick fog. The Longships was sighted twelve miles distant, but both this and Pendeen were subsequently obscured by fog. The skipper judged the distance, and kept the foghorn going regularly. At midnight the skipper reckoned he was four or five miles from the Longships. Half an hour later the vessel was put about, Just before two o'clock skipper was below, after ordering the mate to keep a south by east course. It was still foggy, and at 2:40 the vessel struck on Pordenick Point. The mate at first told him they had collided with a ship. The vessel made water fast, and seing it was imposible to save her, as her stern was settling down, they all got into a smal boat, rowed ashore, and informed the coast- guard, who subsequently assisted them to save some of the vessel's gear. Evidence was given by Albert Lockwood, the skipper, who said he took no bearings on Sunday night. He considered they were about six miles north of Pendeen light at ten o'clock, although he did not consult his chart or use his patent log. Witness considered it safe to go below, although he had lost the Longships and Wolf Rock. He did not instruct the mate to use the lead, though he was aware that water shoaled towards the shore. He was surprised to find the vesel on, the rocks, and did not notice at the time whether her course had been altered. The mate had been with him three years, and he felt justified in leaving the vessel in his charge in a thick fog. Cross-examined: He now agreed that the cause of the mishap was his remaining on the eastern track too long. He had sailed that coast for ten years, Thomas Garwood, the mate, said when he took the tiller, just before two, he saw no lights, and did not know where the Longships light was, though he admitted he must have passed close to it. He saw nothing in front, neither did he hear any breakers before the vessel struck. The lead was below, and had never been used for ten weeks. It was not customary to use it. Other evidence having been called at considerable length, Mr. Chamberlain, who represented the owner contended that the skipper was seriously to blame for having set the wrong course, On his own evidence he had cut matters very fine. and was practically guilty of wrongful navigation. The Court adjourned until Friday.</text>
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The stranding of the Lowestoft sailing trawler Girl Annie, near Pordenack Point, Land's End, on May 4th 1908, was investigated at a Board of Trade inquiry held at Lowestoft on Thursday. The local trawling industry was strongly represented, and took keen interest in the proceedings. In opening the inquiry on behalf of the Board of Trade, Mr. Wiltshire said the Girl Annie was, of 53 tons register, and was built six years ago at cost of over £1,400. She was insured for £1,000, and carried a crew of five hands. The vessel left Padstow for Lowestoft on May 3rd, and stranded early on the following day. On Sunday night there was thick fog. The Longships was sighted twelve miles distant, but both this and Pendeen were subsequently obscured by fog. The skipper judged the distance, and kept the foghorn going regularly. At midnight the skipper reckoned he was four or five miles from the Longships. Half an hour later the vessel was put about, Just before two o'clock skipper was below, after ordering the mate to keep a south by east course. It was still foggy, and at 2:40 the vessel struck on Pordenick Point. The mate at first told him they had collided with a ship. The vessel made water fast, and seing it was imposible to save her, as her stern was settling down, they all got into a smal boat, rowed ashore, and informed the coast- guard, who subsequently assisted them to save some of the vessel's gear. Evidence was given by Albert Lockwood, the skipper, who said he took no bearings on Sunday night. He considered they were about six miles north of Pendeen light at ten o'clock, although he did not consult his chart or use his patent log. Witness considered it safe to go below, although he had lost the Longships and Wolf Rock. He did not instruct the mate to use the lead, though he was aware that water shoaled towards the shore. He was surprised to find the vesel on, the rocks, and did not notice at the time whether her course had been altered. The mate had been with him three years, and he felt justified in leaving the vessel in his charge in a thick fog. Cross-examined: He now agreed that the cause of the mishap was his remaining on the eastern track too long. He had sailed that coast for ten years, Thomas Garwood, the mate, said when he took the tiller, just before two, he saw no lights, and did not know where the Longships light was, though he admitted he must have passed close to it. He saw nothing in front, neither did he hear any breakers before the vessel struck. The lead was below, and had never been used for ten weeks. It was not customary to use it. Other evidence having been called at considerable length, Mr. Chamberlain, who represented the owner contended that the skipper was seriously to blame for having set the wrong course, On his own evidence he had cut matters very fine. and was practically guilty of wrongful navigation. The Court adjourned until Friday.</text>
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St Marys Church</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The Stanley Opie Archaeology collection (1001 quarter plate glass negatives) covers archaeological sites and excavations from the 1920s to 1950s. It covers hillforts, megaliths, ancient villages, artefacts, excavations such as the Roman villa at Magor near Redruth, and Cornish cultural events such as the first Cornish Gorsedh at Boscawen-ûn in 1928.&lt;br /&gt;&lt;br /&gt;In 1935 Stanley entered a News Chronicle competition called "Britain 1935". A copy of his entry form was found attached to the back of a small print, listing his address, camera model and film type. He lived at Barncoose, Redruth, Cornwall, and used an Ensign Cameo No. 2 camera with Imperial Eclipse plates.&lt;br /&gt;&lt;br /&gt;The glass negatives were cleaned, repackaged and digitised thanks to funding from &lt;a href="http://www.cornwallheritagetrust.org"&gt;Cornwall Heritage Trust&lt;/a&gt;.</text>
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          <name>Acknowledgements</name>
          <description>Funding acknowledgements where appropriate.</description>
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              <text>Digitisation and conservation of the original glass negative was kindly supported by &lt;a href="http://www.cornwallheritagetrust.org/"&gt;Cornwall Heritage Trust&lt;/a&gt;.</text>
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                <text>Menhirs</text>
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            <name>Format</name>
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                <text>Quarter Plate Glass Negative</text>
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                <text>Lt Col F C Hirst of the West Cornwall Field Club standing beside a menhir used as a gatepost. </text>
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            <description>An account of the resource</description>
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                <text>Lt Col F C Hirst of the West Cornwall Field Club standing beside it.&#13;
Looks like hedging and Hills around Zennor, Morvah area. I assume he wrote a report for the West Cornwall Field Club. menhir used as a gatepost. &#13;
The gate is a traditional Penwith Gate.</text>
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                <text>Morrab Library</text>
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                <text>O.699</text>
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        <name>menhir</name>
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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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        <element elementId="58">
          <name>Individual Names</name>
          <description>Names of individuals identified in the photo.</description>
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              <text>R Beavis</text>
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          <name>Period Costume</name>
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              <text>N</text>
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          <name>Subject Era</name>
          <description>e.g. "Victorian" or a later photo related to an earlier date. For example a 1920 photo of a ship wrecked in 1914 - enter 1914 into this field.</description>
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              <text>1872</text>
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              <text>photo</text>
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          <name>Damaged?</name>
          <description>Is the item damaged? Select Yes or No then describe in the "Condition" field.</description>
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              <text>No</text>
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          <name>Artist</name>
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              <text>R Beavis</text>
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            <name>Identifier</name>
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                <text>ARTS 9.008</text>
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            <description>A name given to the resource</description>
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                <text>Lu Sieste Pyrennees Orientals R Beavis 1872</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="60798">
                <text>Picture</text>
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              <elementText elementTextId="60799">
                <text>Barn Livestock Wagon Trees</text>
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              <elementText elementTextId="60800">
                <text>Anno MPlay</text>
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            <name>Date</name>
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                <text>1970</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="60805">
                <text>Man in hat resting or sleeping leaning against ox cart with two oxen and several chickens.</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="60806">
                <text>Angove</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="101752">
                <text>Morrab Library</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="101753">
                <text>Morrab Library</text>
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                <text>Print</text>
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                  <text>Angove Collection</text>
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                <elementText elementTextId="94468">
                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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        <element elementId="58">
          <name>Individual Names</name>
          <description>Names of individuals identified in the photo.</description>
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              <text>Luciania</text>
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          <name>Period Costume</name>
          <description>Does the photograph contain a notable example of period costume?</description>
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              <text>N</text>
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                <text>Luciania built 1893 gutted by fire at Liverpool</text>
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            <name>Subject</name>
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                <text>Ship</text>
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                <text>1909</text>
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                <text>Liverpool</text>
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            <elementTextContainer>
              <elementText elementTextId="123232">
                <text>Built by Fairfields, Glasgow in 1893 destroyed by fire at Liverpool in 1909.&#13;
First ship to carry refrigerating machinery.&#13;
Angove's description of, 'charred timber and scorched plaster' does not appear to apply to the photo(?).</text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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        <element elementId="10">
          <name>Physical Dimensions</name>
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              <text>9x6½ inches</text>
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          <name>Artist</name>
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              <text>Serena Wadham&#13;
</text>
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            <description>A name given to the resource</description>
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                <text>Luciano Berio, italian experimental composer.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="135315">
                <text>&lt;a href="https://en.wikipedia.org/wiki/Luciano_Berio"&gt;Luciano Berio&lt;/a&gt;</text>
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            <name>Creator</name>
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                <text>Serena Wadham&#13;
</text>
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