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              <text>Photograph very faded and the cover itself stained on right hand side and separated from front cover.</text>
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                <text>On the inside back cover of the album there is a very faded photograph of trees.   Written in the bottom right-hand corner is Completed  16 12 02 and the initials W.P.</text>
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              <text>Smudges and spots visible in the sky area.</text>
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                <text>Inside Newlyn Harbour, view across to the north and The Tolcarne.</text>
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                <text>Newlyn </text>
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                <text>Fishing boats next to the Old (Medieval) Pier. The boats often beached here for maintenance when the tide went out. This beach is under Newlyn Cliff, under the Fisherman's Arms pub.</text>
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                <text>1885-1900</text>
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                <text>Inside the Old (Medieval) Pier area at Newlyn at low tide.</text>
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                <text>Several old luggers aground. One has a pile of gill nets on the deck. Note the early method of boat registration numbers, ie, numbers then letters compared to the current method of letters then numbers. Note also the very rocky foreground in the picture; most of this was removed by local miners, it is said, to provide a more level area for fishing vessels. (Some complained it was for visiting vessels, not primarily for locals.)</text>
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                <text>1880 estimate. </text>
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                  <text>Beryl Richards was born in 1928, and died in 2024, having lived all her life in West Penwith.  The family lived in St Just, where her mother had a shop, and her brother had an ice cream shop.  &#13;
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Her father Herbert  served as a gunner in the First World War.  The family were involved in St Just carnivals and Herbert made some of the floats.  He was also involved in raising funds for building the  clock tower.&#13;
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Beryl worked at the telephone exchange in Penzance where she became the Night Manager inOctober 1976.</text>
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                <text>Staff at the switchboard in Penzance Telephone Exchange.  Beryl Richards sitting at her desk with her back to the camera.</text>
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                <text>Tom Gwynn</text>
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                <text>1981-03-30.  (on rear of photograph)</text>
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                <text>Penzance</text>
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                <text>Beryl sitting at a computer,  together with two male colleagues</text>
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                <text>Inside view of Gopsal Chapel</text>
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            <description>A name given to the resource</description>
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                <text>Insignia Penzance Corporation 2 Maces Mayors Chain</text>
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            <description>The topic of the resource</description>
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                <text>Information on Card Index - Maces ar Silver bought 1670 for £13.13.2</text>
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            <description>A name given to the resource</description>
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                <text>Inspecting Palm Tree growing at St Erth Station</text>
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                <text>Inspecting Palm Tree St Erth Station Platform</text>
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                <text>Various shots of damage done when ship knocked out stonework on     South Pier at Penzance - note men suspended from Cradle</text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
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                <text>instant shoemending/nuns in the underground</text>
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                <text>Silver Bromide Print</text>
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              <description>An account of the resource</description>
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                  <text>The collection came from the Zennor Wayside Museum which was housed at the old mill in Zennor. It was privately run and when the owners retired the photograph were gifted to the Morrab Library. </text>
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                  <text>The following is taken from the Wayside Folk Museum Website: &#13;
The natural features of land and sea ensured that the area around to Zennor was remote and inaccessible until around the start of the 19th century. Only pack animals and sledges brought goods to this part of Cornwall, as there were no roads. Such isolation helped to preserve both ancient implements and customs. Towards the middle of the 20th century, Colonel Freddie Hirst began collecting relics peculiar to Zennor which eventually became exhibits in the Wayside Museum. Today there are more than five thousand items in the collection, exhibited in sixteen different display areas. These include an extensive collection of photographs and detailed information about people who have lived in the area. Exhibits include waterwheels from the Cornish mining industry, a cobble's shop with an exhibition on the history of the museum, and an 18th century kitchen. There is also a mill building, containing original machinery and millstones, a collection of early agricultural implements and a blacksmith's forge. In addition there are lots of domestic implements, many of which can be handled to demonstrate their original use. Within the complex is a tea garden, gift shop and a children's museum with a quiz trail and certificate for children who participate. Zennor is situated on the coast road to Land's End, four miles west of St Ives. The museum is open daily between April and October each year.</text>
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                <text>Interior  Assorted Tools</text>
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              <elementText elementTextId="152570">
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              <description>An account of the resource</description>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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            <name>Identifier</name>
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            <description>A name given to the resource</description>
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                <text>Interior  Laundry shots ,  Penzance Laundry.    1969&#13;
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
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                <text>Morrab Library</text>
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                <text>Silver Bromide Print</text>
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                <text>swa.contact.0038</text>
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                <text>Nancledra &amp; Hayle&#13;
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                  <text>The collection came from the Zennor Wayside Museum which was housed at the old mill in Zennor. It was privately run and when the owners retired the photograph were gifted to the Morrab Library. </text>
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                  <text>The following is taken from the Wayside Folk Museum Website: &#13;
The natural features of land and sea ensured that the area around to Zennor was remote and inaccessible until around the start of the 19th century. Only pack animals and sledges brought goods to this part of Cornwall, as there were no roads. Such isolation helped to preserve both ancient implements and customs. Towards the middle of the 20th century, Colonel Freddie Hirst began collecting relics peculiar to Zennor which eventually became exhibits in the Wayside Museum. Today there are more than five thousand items in the collection, exhibited in sixteen different display areas. These include an extensive collection of photographs and detailed information about people who have lived in the area. Exhibits include waterwheels from the Cornish mining industry, a cobble's shop with an exhibition on the history of the museum, and an 18th century kitchen. There is also a mill building, containing original machinery and millstones, a collection of early agricultural implements and a blacksmith's forge. In addition there are lots of domestic implements, many of which can be handled to demonstrate their original use. Within the complex is a tea garden, gift shop and a children's museum with a quiz trail and certificate for children who participate. Zennor is situated on the coast road to Land's End, four miles west of St Ives. The museum is open daily between April and October each year.</text>
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                  <text>Morrab Library</text>
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                  <text>Morrab Library</text>
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                  <text>Photographic prints</text>
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            <description>A name given to the resource</description>
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                <text>Interior Boot/Shoe Repairs Workshop</text>
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            <description>An account of the resource</description>
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                <text>Interior Boot/Shoe Repair Workshop</text>
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                  <text>Two family photograph albums related to the Armstrong family.&#13;
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"E.A.A"  Edmund Archibald Armstrong (1859-1925) was the youngest son of the Rev. John Armstrong (1810-1862) of Dinder, Somerset, and Mary Ann Scobell (1817-1900) who inherited Nancalverne, Penzance in 1883.&#13;
"Agnes" Agnes Margaretta Armstrong (1861-1914), youngest sister of Edmund.&#13;
&#13;
Some of the painted illustrations on the small album pages are signed with a very small cipher EA. </text>
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                  <text>Morrab Library</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Interior domestic living room scene</text>
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            <description>An account of the resource</description>
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                <text>Living room with upright piano.  The other end of the room shown in ARMS LA1  003.  Annotated " domestic scenes Folkestone?"</text>
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            <name>Publisher</name>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Morrab library</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Print</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>ARMS LA1  004</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Dr Melissa Hardie</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Richards Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="94467">
                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <element elementId="52">
          <name>Business Name</name>
          <description>Name of establishment depicted in the image.</description>
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              <text>E Richards</text>
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              <text>Queen Street</text>
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          <name>Individual Names</name>
          <description>Names of individuals identified in the photo.</description>
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            <elementText elementTextId="74389">
              <text>Mrs Kathleen Richards</text>
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          <name>Period Costume</name>
          <description>Does the photograph contain a notable example of period costume?</description>
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            <elementText elementTextId="74390">
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>STRT 28OF 207</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Interior E Richards Photographers  , Queen Street , Penzance.</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="74385">
                <text>Shop</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1960</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Penzance, Cornwall</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="74393">
                <text>Richards</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="122042">
                <text>The best of the three images of the interior of E. Richards, photographers. Queen Street , Penzance.</text>
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          <element elementId="45">
            <name>Publisher</name>
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                <text>Morrab Library</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="122044">
                <text>Morrab Library</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Negative</text>
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        <name>retail</name>
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        <name>Women's working life</name>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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          <name>Period Costume</name>
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          <name>Condition</name>
          <description>Record observations about the condition or conservation of the item, e.g. any damage (e.g. cracked, broken or chipped glass negative).</description>
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            <elementText elementTextId="146247">
              <text>Damaged emulsion on negative</text>
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              <text>Damaged emulsion on negative</text>
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            <name>Identifier</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Interior Gwinear Church nr Hayle</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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            <name>Date</name>
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                <text>1960</text>
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