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                <text>View across the foreshore to Newlyn Town</text>
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                <text>Before the harbour road was built in 1908. You can see the cart tracks heading along to Newlyn Slip which was the main thoroughfare, only accessible when the tide was out. Mounts Bay lugger aground on the beach. Fishing nets laid out to dry.</text>
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                <text>1880-1885</text>
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                <text>Old loft building, right hand side of Newlyn Coombe Road. Coombe River is below to the right. &#13;
About 200yds from the village above St Peter's Church.</text>
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                <text>1989</text>
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                <text>The Old Bridge, Street-an-Nowan, Newlyn</text>
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                <text>Cottages behind are Florence Place. Over the bridge to the right leads to Tolcarne. Image is much the same now.</text>
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                <text>1920-1925</text>
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                <text>The Strand, Street-an-Nowan, Newlyn</text>
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                <text>Later view of JDC 271. Building near the old bridge now rebuilt with shops below. Flooded by very high tides coming from the slipway on the right. Newlyn Bridge bus stop at the railings in foreground.</text>
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                <text>Tall granite building near the old bridge. Replaced in 1906 after fire. Was Carters house and bakery. Restored and now houses Warrens Bakery and Lenterns butchers shop. Small buildings extreme left now the Newlyn chemist shop.</text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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                <text>SWA.262</text>
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                <text>&lt;a href="https://www.alamy.com/stock-photo-biafra-christmas-ship-fund-michael-caine-answers-questions-with-political-81504310.html"&gt;Michael Caine Biafra Christmas Ship 1968&lt;/a&gt;</text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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'Christmas Ship to Biafra' in 1968&#13;
These pictures were taken in low light without a flash and some are under-exposed and taken with a slow shutter speed, so look  out of focus, but still a record of an important event including one of the UK's favourite actors.</text>
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                <text>SWA.261</text>
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                <text>&lt;a href="https://www.alamy.com/stock-photo-biafra-christmas-ship-fund-michael-caine-answers-questions-with-political-81504310.html"&gt;biafra christmas ship&lt;/a&gt;</text>
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                <text>From an early painting of Newlyn School artist, Henry Martin. </text>
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            <description>An account of the resource</description>
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                <text>View from St Peters Hill near Lynn Terrace across the bay to the Battery Rocks and the Eastern shore. Mounts Bay Luggers anchored. Street -an-Nowan continues down and left to Duke street. Both sections were nicknamed Breakneck Street because of the extremely uneven surfaces.  Most of the buildings were demolished around 1953/4 and the whole of the foreground is now the Newlyn Town car park.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="145826">
                <text>Print</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>JDC 270</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Newlyn</text>
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      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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              <text>215 165 mm.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>New Road, Newlyn</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="145814">
                <text>Approach to the Newlyn Road bridge and junction with Chywoone Hill (straight on) and right to Newlyn Coombe. See the garden railings around the house on the right. These were removed for the WW2 war effort.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1900-1905</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Print</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>JDC 269</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Newlyn</text>
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                <text>Sometimes reffered to as the Strand, similar area to JDC 267. Cottages central left have now gone and now area is Newlyn car park.&#13;
Tall building right, replaces Carters bakery building which burnt down in 1906. Near junction with Newlyn Road bridge and Chywoone Hill.</text>
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                <text>Shows entrance to Jack Lane. This was once the main thoroughfare from Penzance going up Chywoone Hill (Paul Hill) before the construction of the New Road and road bridge in 1883. Cottages to extreme right were demolished and now form part of Street-an-Nowan car park. Left leads to Newlyn Town and Mosehole. Building in centre with two first floor windows was Elsie Bakers greengrocers and general stores in the 40's and 50's. Central Newlyn area sometimes referred to as the Strand, being the foreshore before pier and outgouses were built.</text>
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                <text>Norton's Baths on Western Promenade still visible, removed 1883. Access to Newlyn by sea front walk. New road from Wherrytown to Newlyn yet to be built in 1883. Building with the dark curved roof is the Norway Ice Store.</text>
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                <text>Queen's Hotel can be seen, built 1861. Serpentine works, promenade, 'gun' house building on battery rocks. Wherrytown reef of rocks. Building to left is Norway Ice Store, base of later ice works. Fish jowsters on beach.</text>
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