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After being weather-bound at Falmouth for a week, she left harbour on January 22nd heading for Cardiff, in tow with the tug Challenge. Off Land's End the sea was too rough to continue, so both returned and anchored in the Carrick Roads. That night the barque dragged her anchors, went ashore close to the old castle and was high and dry at low water. The tugs Dragon, Marian, and Briton managed to pull her clear and get her into dry dock but as her owners were unable to pay the coast of the salvage and docking she was sold by order of a local court. &#13;
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              <elementText elementTextId="25594">
                <text>Index to collection of Chirgwin photos in Archive room to be found in Penzance box. </text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>© Morrab Library</text>
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            <description>The nature or genre of the resource</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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            <description>A name given to the resource</description>
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                <text>© Morrab Library</text>
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                <text>index to Dr Fergusons photos of Penzance stored on</text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Indira Gandhi</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Serena Wadham&#13;
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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            <description>An account of the resource</description>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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              <description>An entity primarily responsible for making the resource</description>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                <elementText elementTextId="101046">
                  <text>SWA</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Indira Gandhi</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>same neg as 194, same size</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="142402">
                <text>Silver Bromide Print</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>SWA.195</text>
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              <description>A name given to the resource</description>
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              <description>The topic of the resource</description>
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              <description>An account of the resource</description>
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                  <text>The following is taken from the Wayside Folk Museum Website: &#13;
The natural features of land and sea ensured that the area around to Zennor was remote and inaccessible until around the start of the 19th century. Only pack animals and sledges brought goods to this part of Cornwall, as there were no roads. Such isolation helped to preserve both ancient implements and customs. Towards the middle of the 20th century, Colonel Freddie Hirst began collecting relics peculiar to Zennor which eventually became exhibits in the Wayside Museum. Today there are more than five thousand items in the collection, exhibited in sixteen different display areas. These include an extensive collection of photographs and detailed information about people who have lived in the area. Exhibits include waterwheels from the Cornish mining industry, a cobble's shop with an exhibition on the history of the museum, and an 18th century kitchen. There is also a mill building, containing original machinery and millstones, a collection of early agricultural implements and a blacksmith's forge. In addition there are lots of domestic implements, many of which can be handled to demonstrate their original use. Within the complex is a tea garden, gift shop and a children's museum with a quiz trail and certificate for children who participate. Zennor is situated on the coast road to Land's End, four miles west of St Ives. The museum is open daily between April and October each year.</text>
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                  <text>Morrab Library</text>
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              <description>The file format, physical medium, or dimensions of the resource</description>
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                  <text>Photographic prints</text>
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            <description>A name given to the resource</description>
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            <description>An unambiguous reference to the resource within a given context</description>
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              <description>A name given to the resource</description>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Everyday life in rural Zennor</text>
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              <description>An account of the resource</description>
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                  <text>The collection came from the Zennor Wayside Museum which was housed at the old mill in Zennor. It was privately run and when the owners retired the photograph were gifted to the Morrab Library. </text>
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                  <text>The following is taken from the Wayside Folk Museum Website: &#13;
The natural features of land and sea ensured that the area around to Zennor was remote and inaccessible until around the start of the 19th century. Only pack animals and sledges brought goods to this part of Cornwall, as there were no roads. Such isolation helped to preserve both ancient implements and customs. Towards the middle of the 20th century, Colonel Freddie Hirst began collecting relics peculiar to Zennor which eventually became exhibits in the Wayside Museum. Today there are more than five thousand items in the collection, exhibited in sixteen different display areas. These include an extensive collection of photographs and detailed information about people who have lived in the area. Exhibits include waterwheels from the Cornish mining industry, a cobble's shop with an exhibition on the history of the museum, and an 18th century kitchen. There is also a mill building, containing original machinery and millstones, a collection of early agricultural implements and a blacksmith's forge. In addition there are lots of domestic implements, many of which can be handled to demonstrate their original use. Within the complex is a tea garden, gift shop and a children's museum with a quiz trail and certificate for children who participate. Zennor is situated on the coast road to Land's End, four miles west of St Ives. The museum is open daily between April and October each year.</text>
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                  <text>Morrab Library</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>2015</text>
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                  <text>Morrab Library</text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
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                  <text>Photographic prints</text>
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        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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            <elementText elementTextId="148740">
              <text>2x2 neg</text>
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                <text>Individual woman</text>
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            <description>An account of the resource</description>
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                <text>Individual woman</text>
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            <name>Publisher</name>
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                <text>Morrab Library</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="148737">
                <text>Morrab Library</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="148738">
                <text>Flimsy Negative - Other</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="148739">
                <text>ZWM 038</text>
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      <tag tagId="2287">
        <name>Peop</name>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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      <name>Still Image</name>
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            <description>A name given to the resource</description>
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                <text>Induction of Rev Nicholls into St Peter's Church, Newlyn</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="175375">
                <text>Morrab Library</text>
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                <text>1960</text>
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                <text>Morrab Library</text>
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                <text>Cabinet Glass Negative</text>
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            <name>Identifier</name>
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              <elementText elementTextId="175379">
                <text>PEOP 21CG 326</text>
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      <tag tagId="2433">
        <name>community life</name>
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                  <text>Richards Collection</text>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <name>Building Name</name>
          <description>Name of building or structure.</description>
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              <text>St Johns Church</text>
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          <name>Street Name</name>
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              <text>Trewartha Terrace</text>
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          <name>Individual Names</name>
          <description>Names of individuals identified in the photo.</description>
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              <text>Rev. Martin Jupe</text>
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          <name>Period Costume</name>
          <description>Does the photograph contain a notable example of period costume?</description>
          <elementTextContainer>
            <elementText elementTextId="65755">
              <text>N</text>
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      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="65748">
                <text>PEOP 21HF 233</text>
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            </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="65749">
                <text>Induction of Rev. Jupe with group clergymen</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="65750">
                <text>Religious</text>
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              <elementText elementTextId="65751">
                <text> Anno Church OUT</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="65756">
                <text>1960</text>
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            <name>Coverage</name>
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                <text>Penzance</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="65758">
                <text>Various Clergy including Bishop of Truro</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Morrab Library</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Print</text>
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        <name>1951-1970</name>
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        <name>community life</name>
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                  <text>Richards Collection</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <element elementId="53">
          <name>Building Name</name>
          <description>Name of building or structure.</description>
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              <text>Paul Church</text>
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        <element elementId="58">
          <name>Individual Names</name>
          <description>Names of individuals identified in the photo.</description>
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          <name>Condition</name>
          <description>Record observations about the condition or conservation of the item, e.g. any damage (e.g. cracked, broken or chipped glass negative).</description>
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            <elementText elementTextId="146846">
              <text>Crazing</text>
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            <name>Identifier</name>
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                <text>PEOP 21HF 234</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Induction of unidentified vicar with clergymen</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Religious</text>
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              <elementText elementTextId="65763">
                <text>Church OUT</text>
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            <name>Date</name>
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                <text>1960</text>
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            <name>Coverage</name>
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              <elementText elementTextId="65768">
                <text>Paul</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Richards</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="146843">
                <text>Morrab Library</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="146844">
                <text>Print</text>
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                <text>Induction Rev. Martin Jupe St. John's Church&#13;
Bishop of Truro</text>
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            <name>Type</name>
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                <text>Photograph</text>
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            <name>Identifier</name>
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                <text>M.1448</text>
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                <text>Hayle, Cornwall</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Industrial Scene  Hayle. </text>
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            <name>Publisher</name>
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            <name>Date</name>
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                <text>c. 1950</text>
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            <name>Format</name>
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                <text>35mm Slide</text>
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        <src>https://photoarchive.morrablibrary.org.uk/files/original/Trevaskis_Collection/18582/TJ.31.tif</src>
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                  <text>Trevaskis Collection</text>
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                  <text>Morrab Library</text>
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                  <text>The surname comes from the farm of Trevaskis standing close by Gwinear parish.&#13;
W.J. Trevaskis was in a geographically-constrained way a successful local photographer. Evidence exists of a carte de visit taken in 1863 although he was first listed as a photographer in 1883. The business was run from the Leedstown house now called 'An Gernyk'. From 1889 Trevaskis had a branch studio at Nettles Hill in Helston. Carte de visit imprints of the later 1870s or the 1880s announce that he was at Leedstown on Mondays, Thursdays, and Saturdays; Porthleven, Tuesdays and Wednesdays; Breage on Fridays.&#13;
Business continued into the early years of the 20th Century - it is not known when Mr Trevaskis died. The business was revived by his daughter Miss Polly Trevaskis who was listed as a photographer at Leedstown up to the start of the last war.</text>
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              <text>Yes</text>
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          <name>Condition</name>
          <description>Record observations about the condition or conservation of the item, e.g. any damage (e.g. cracked, broken or chipped glass negative).</description>
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              <text>Poor image, emulsion is damaged which makes the image unclear.</text>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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              <text>8..25 x 6.5</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Industrial scene possibly a quarry. A number of workers posing, rocks in foreground and two horses and cart to the left.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Trevaskis</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Morrab Library</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="162302">
                <text>Morrab Library</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Quarter Plate Glass Negative</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>TJ.31</text>
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