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                <text> Eurika Brixham trawler  in the shallows at Wherrytown Penzance  Edward Richards Album P 93. 06.05.1934.. </text>
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                  <text>The Stanley Opie Archaeology collection (1001 quarter plate glass negatives) covers archaeological sites and excavations from the 1920s to 1950s. It covers hillforts, megaliths, ancient villages, artefacts, excavations such as the Roman villa at Magor near Redruth, and Cornish cultural events such as the first Cornish Gorsedh at Boscawen-ûn in 1928.&lt;br /&gt;&lt;br /&gt;In 1935 Stanley entered a News Chronicle competition called "Britain 1935". A copy of his entry form was found attached to the back of a small print, listing his address, camera model and film type. He lived at Barncoose, Redruth, Cornwall, and used an Ensign Cameo No. 2 camera with Imperial Eclipse plates.&lt;br /&gt;&lt;br /&gt;The glass negatives were cleaned, repackaged and digitised thanks to funding from &lt;a href="http://www.cornwallheritagetrust.org"&gt;Cornwall Heritage Trust&lt;/a&gt;.</text>
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              <text>Digitisation and conservation of the original glass negative was kindly supported by &lt;a href="http://www.cornwallheritagetrust.org/"&gt;Cornwall Heritage Trust&lt;/a&gt;.</text>
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                  <text>Family photos taken throughout Barbara's  childhood and teenage years.  The collection includes photos of her mother Marjorie, nee Stevens and other family members.  Reggie Richards, of Richards Photographers, features in many of these family photos.  In the 1960s Marjorie changed her surname by deed poll to Richards.&#13;
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Barbara married David Thomas and had a son.  She died on 16th May 1995 at St. Julia's Hospice, Hayle.</text>
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                  <text>Photographs  which have come from multiple sources. They include a huge variety of photos of subjects which appear elsewhere. </text>
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                <text>A collection of class photos of St. Marys School , Penzance showing the Tanner and Nankervis family. &#13;
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                <text>c. 1900</text>
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            <name>Rights</name>
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              <elementText elementTextId="16651">
                <text>© Morrab Library</text>
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M.0091A&#13;
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                <text> Four Class photographs, St. Marys School, Penzance.  </text>
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                <text>C. W. Holden</text>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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            <name>Identifier</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text> Frozen fountain in Morrab Gardens, Penzance.&#13;
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            <name>Date</name>
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            <description>An account of the resource</description>
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              <elementText elementTextId="83543">
                <text>Frozen fountain with huge icicles in Morrab Gardens.</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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              <description>An account of the resource</description>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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              <text>Serena Wadham&#13;
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text> Giew mine Cripplesease Nancledra, Castle an Dinas quarry in the background</text>
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            <name>Creator</name>
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              <elementText elementTextId="172530">
                <text>Serena Wadham&#13;
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            <name>Date</name>
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                <text>1963-1965</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Acetate Negative</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Photograph</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Cripplesease Nancledra</text>
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              <description>A name given to the resource</description>
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              <description>An account of the resource</description>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <element elementId="55">
          <name>Period Costume</name>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text> Girl Guides on parade </text>
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          <element elementId="40">
            <name>Date</name>
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              <elementText elementTextId="89495">
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          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="89496">
                <text>Gulval</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="89497">
                <text>Richards</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="173345">
                <text>Girl Guides on parade, possibly in Gulval (see hand written index)</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="173346">
                <text>Morrab Library</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="173347">
                <text>Morrab Library</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="173348">
                <text>Postcard Glass Negative</text>
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        <name>1931-1950</name>
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        <name>community life</name>
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        <name>Schools and youth groups</name>
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  <item itemId="6561" public="1" featured="0">
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              <description>A name given to the resource</description>
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              <description>An account of the resource</description>
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                <elementText elementTextId="42050">
                  <text>The Chown Collection is a fascinating portrait of Edwardian family life in the village of Townshend. Beautiful composed photographs of horse-drawn vehicles, the arrival of the motor car, and Edwardian costume are all well-covered.&#13;
Dr Chown was a medical doctor in Townsend and the photos show his family including his daughter Dolly who went on to be a doctor herself and his son Jack who sadly died in WW1. </text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <element elementId="53">
          <name>Building Name</name>
          <description>Name of building or structure.</description>
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              <text>Townshend House</text>
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          <name>Individual Names</name>
          <description>Names of individuals identified in the photo.</description>
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              <text>Grandma Chown</text>
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          <description>Does the photograph contain a notable example of period costume?</description>
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          <element elementId="43">
            <name>Identifier</name>
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              <description>An account of the resource</description>
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                  <text>The Stanley Opie Archaeology collection (1001 quarter plate glass negatives) covers archaeological sites and excavations from the 1920s to 1950s. It covers hillforts, megaliths, ancient villages, artefacts, excavations such as the Roman villa at Magor near Redruth, and Cornish cultural events such as the first Cornish Gorsedh at Boscawen-ûn in 1928.&lt;br /&gt;&lt;br /&gt;In 1935 Stanley entered a News Chronicle competition called "Britain 1935". A copy of his entry form was found attached to the back of a small print, listing his address, camera model and film type. He lived at Barncoose, Redruth, Cornwall, and used an Ensign Cameo No. 2 camera with Imperial Eclipse plates.&lt;br /&gt;&lt;br /&gt;The glass negatives were cleaned, repackaged and digitised thanks to funding from &lt;a href="http://www.cornwallheritagetrust.org"&gt;Cornwall Heritage Trust&lt;/a&gt;.</text>
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          <name>Acknowledgements</name>
          <description>Funding acknowledgements where appropriate.</description>
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              <text>Digitisation and conservation of the original glass negative was kindly supported by &lt;a href="http://www.cornwallheritagetrust.org/"&gt;Cornwall Heritage Trust&lt;/a&gt;.</text>
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            <name>Subject</name>
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                <text>Buildings</text>
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                <text>Trelill, nr. Helston</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Quarter Plate Glass Negative</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text> Holy Well. </text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Holy Well.   </text>
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            <name>Rights</name>
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                <text>Morrab Library</text>
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            <name>Identifier</name>
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                <text>O.248</text>
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                <text>Stanley Opie</text>
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              <name>Title</name>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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      <name>Still Image</name>
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          <name>Period Costume</name>
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              <text>N</text>
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          <name>Damaged?</name>
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          <name>Condition</name>
          <description>Record observations about the condition or conservation of the item, e.g. any damage (e.g. cracked, broken or chipped glass negative).</description>
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              <text>Scratch across sky</text>
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      <elementSet elementSetId="1">
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>GYMK 13CG 019</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text> Horse &amp; Rider in field at Newbridge</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1960</text>
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            <name>Coverage</name>
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                <text>Newbridge</text>
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            <name>Source</name>
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                <text>Richards</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Horse &amp; Female Rider in field at Newbridge, possibly a gymkhana or hunt</text>
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          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
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                <text>Morrab Library</text>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="175073">
                <text>Morrab Library</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Cabinet Glass Negative</text>
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        <name>1951-1970</name>
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        <name>Hobbies and leisure occupations</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Miscellaneous Photos</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Photographs  which have come from multiple sources. They include a huge variety of photos of subjects which appear elsewhere. </text>
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      <name>Still Image</name>
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        <element elementId="54">
          <name>Item Location</name>
          <description>How to find the item (e.g. cabinet name or number, shelf number, drawer name or number)</description>
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              <text>B2</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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            <description>An account of the resource</description>
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                <text>Group photo of the Hosking Family,  Glebe Farm, Sancreed. c 1900.. costume</text>
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                <text>c. 1900</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>© Morrab Library</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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            <name>Identifier</name>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Sancreed</text>
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            <description>A name given to the resource</description>
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                <text> Hosking Family,  Glebe Farm, Sancreed</text>
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                  <text>A small collection of photos from the family of Samuel John 'Lamorna' Birch. 1869-1955, the founder of the colony of artists and writers  who lived and worked in and around the Lamorna Valley near Penzance, Cornwall. &#13;
He was born near Liverpool in 1869 and adopted the additional name of Lamorna after 1896.&#13;
He was married to Houghton Emily Vivian and they had two daughters, Elizabeth Lamorna (known as Mornie) and Joan Houghton.&#13;
The collection shows Lamorna with well known public figures; of himself at work;  and many of his wife and children.&#13;
Included are snapshots of many of his friends at social events.&#13;
An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson &amp; Company. 1995.&#13;
These photographs were donated by Judith Kerr, widow of Adam, grandson of Lamorna Birch.</text>
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                <text>Morrab Library</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Miscellaneous Photos</text>
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            <element elementId="41">
              <name>Description</name>
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                <elementText elementTextId="2">
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        <element elementId="53">
          <name>Building Name</name>
          <description>Name of building or structure.</description>
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        <element elementId="54">
          <name>Item Location</name>
          <description>How to find the item (e.g. cabinet name or number, shelf number, drawer name or number)</description>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Miscellaneous</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Print of the Information Bureau  Penzance from the Borough Surveyors Office c. 1965-7. </text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="30972">
                <text>don P Tresidder</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1965</text>
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                <text>© Morrab Library</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Photograph</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>M.1744</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Penzance</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text> Information Bureau, Penzance.</text>
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                <text>Print</text>
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              <description>An account of the resource</description>
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                  <text>Photographs  which have come from multiple sources. They include a huge variety of photos of subjects which appear elsewhere. </text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Miscellaneous</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Constructing the Jubilee Bathing Pool, Penzance.  Very clear,  possibly a Gibson. </text>
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                <text>don. G Harvey</text>
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                <text>Penzance</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text> Jubilee Bathing Pool,  Penzance.</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Morrab Library</text>
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            <name>Date</name>
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                <text>c. 1934</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Print</text>
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            <element elementId="50">
              <name>Title</name>
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                  <text>Serena Wadham Archive</text>
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              <description>An account of the resource</description>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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                  <text>Serena Wadham</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>SWA</text>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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              <text>Serena Wadham</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text> Julia Langton in leotard</text>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="199995">
                <text>Written on the print "JULIA LANGTON".Headshots and full body shots of J L some with dog, some yoga poses in leotard.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="199996">
                <text>Serena Wadham </text>
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          </element>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="199997">
                <text>Morrab Library </text>
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            <name>Date</name>
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                <text>1960-1970</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library </text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Silver Bromide Print</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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