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It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those.&#13;
Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
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All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
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Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
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All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
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Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
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All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
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                <text>Alfred Harris   Falmouth</text>
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            <elementTextContainer>
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                <text>Morrab Library</text>
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          <element elementId="47">
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="156601">
                <text>Morrab Library</text>
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                <text>Print</text>
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                <text>PC 047</text>
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  <item itemId="17850" public="1" featured="0">
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                  <text>The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century.&#13;
It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those.&#13;
Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian.&#13;
All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
This collection is a very interesting record of the work of the Victorian photographer.</text>
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              <text>6.5 x 4.25</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Young mother sitting in chair holding young baby</text>
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            <description>An account of the resource</description>
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                <text>Young mother sitting in chair holding young baby</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Henry Opie  Photographer in 1889 in Bond Street Redruth.&#13;
Originally Opie later became Opie Ltd in 1914 operating in Redruth, Truro, Falmouth and Helston.</text>
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                <text>Morrab Library</text>
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                <text>1889- 1930</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="156594">
                <text>Morrab Library</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Print</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>PC 060</text>
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  <item itemId="17848" public="1" featured="0">
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              <name>Title</name>
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                  <text>Collins Shipwreck Collection</text>
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              <description>The topic of the resource</description>
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                  <text>Shipwrecks</text>
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                  <text>Wrecks</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <description>A name given to the resource</description>
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                <text>Clan Malcolm, wrecked at Mulvin Rock, September 26th  1935</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Wreck</text>
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            <description>An account of the resource</description>
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                <text>Press Cutting: Telegraph, 1935-11-05&#13;
&#13;
The 5,994-ton Clan lines steamer Clam Malcolm of Glasgow, wrecked at Green lane at 9pm on September 26th while bound from Port Natal via London to Glashow. &#13;
&#13;
Dense fog cloaked the headland at the time, and the coastguards were unaware of the wreck until they saw her distress rockets. Although the German tug, Seefalke, reached her in a matter of hours, the identity of the ship was not known until the Lizard lifeboat returned after eighteen hours duty. &#13;
&#13;
The Clan Malcolm was so badly damaged, and a salvage diver declared her a total loss. On September 30th the underwriters confirmed the loss officially, a personal tragedy for Captain Pollock, the master for whom this was a last command before retiring. &#13;
&#13;
On November 3rd, a south-east gale smashed deck fittings, decks, and hatch covers; she survived one night of this pounding, but began to break up the following day. &#13;
&#13;
Her deck was swept clean, and after a sagging deck line had showed her keel to be broken, Cadwith Cove was soon ten feet deep in wreckage.&#13;
&#13;
Some time later the Clan Malcolm which was launched in 1917 by Craig Taylor&amp; Co of Stockton, was dispersed by explosives. &#13;
&#13;
Description from Richard Larn and Clive Carter, Cornish Shipwrecks: The South Coast (Newton Abbot: David &amp; Charles, 1971), p.136.</text>
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                <text>Daily Telegraph</text>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="156585">
                <text>Morrab Library</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>COLLINS.040D</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="156587">
                <text>LIZARD</text>
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        <name>1931-1950</name>
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        <name>Seafaring and shipping</name>
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        <name>Wrecks</name>
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  <item itemId="17847" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>James Downing Collection</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <name>Damaged?</name>
          <description>Is the item damaged? Select Yes or No then describe in the "Condition" field.</description>
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              <text>No</text>
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          <name>Condition</name>
          <description>Record observations about the condition or conservation of the item, e.g. any damage (e.g. cracked, broken or chipped glass negative).</description>
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            <elementText elementTextId="156731">
              <text>Slight vertical lines on print</text>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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            <elementText elementTextId="156732">
              <text>156x106mm</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="156580">
                <text>JDC 365</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="156724">
                <text>View from the top of Bowjey over Newlyn harbour looking towards Penzance showing the North and South piers.</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="156725">
                <text>In the foreground is the cleared site of the houses of the Navy Inn, demolished in 1939 that inspired the petition  to Westminster in October 1937. Well documented. Building of the new Navy Inn flats started around 1953. Many people who previously lived in the old houses moved to the new Gwavas Estate above the Bowjey.</text>
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            <name>Date</name>
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                <text>c. 1950.</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="156727">
                <text>Print</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Photograph</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="156729">
                <text>Newlyn</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="156733">
                <text>Morrab Library</text>
              </elementText>
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  <item itemId="17846" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>James Downing Collection</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <name>Damaged?</name>
          <description>Is the item damaged? Select Yes or No then describe in the "Condition" field.</description>
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              <text>No</text>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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              <text>126x190mm</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>JDC 364</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Procession of children, all girls, in Newlyn, occasion unknown.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="156571">
                <text>View of girls procession at the corner of a building at Fore Street, at the 'Green' opposite lower Green Street.&#13;
Mark on print top left is straight from the negative. &#13;
Refer to JDS 359, centre top left to see the building as is.</text>
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            <name>Date</name>
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                <text>1915-20</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="156573">
                <text>Morrab Library</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="156574">
                <text>Print</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
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                <text>Photograph</text>
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            </elementTextContainer>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Newlyn</text>
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  <item itemId="17845" public="1" featured="0">
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Serena Wadham Archive</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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              <name>Creator</name>
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                  <text>Serena Wadham</text>
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              <description>An unambiguous reference to the resource within a given context</description>
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              <text>9½x6 inches</text>
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              <text>Serena Wadham&#13;
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                <text>&lt;a href="https://vietnamnews.vn/sunday/features/738407/bearing-witness-to-historic-paris-peace-talks.html"&gt;Duong Thi Duyen&lt;/a&gt;</text>
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                <text>Written on the back of the print by Serena Wadham:&#13;
'Duong Thi Duyen (Journalist? negotiator at peace Talks?)&#13;
N. Vietnamese women talking to anti-Vietnam war women at Boulogne.  She is married with two children'</text>
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                <text>Serena Wadham&#13;
</text>
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                <text>1968-09-22</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="156516">
                <text>Silver Bromide Print</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Photograph</text>
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            <name>Identifier</name>
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                <text>SWA.365</text>
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            <name>Coverage</name>
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                <text>Boulogne</text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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              <text>8½x6½ inches</text>
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              <text>Serena Wadham&#13;
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            <description>A name given to the resource</description>
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                <text>&lt;a href="http://news.bbc.co.uk/onthisday/hi/dates/stories/march/17/newsid_2818000/2818967.stm"&gt;Anti Vietnam War demonstration London 1968&lt;/a&gt;</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Written on the front of the print by Serena Wadham:&#13;
'Anti Nixon Demo'&#13;
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                <text>1968</text>
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              <elementText elementTextId="156506">
                <text>Silver Bromide Print</text>
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            <name>Type</name>
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                <text>Photograph</text>
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            <name>Identifier</name>
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                <text>SWA.364</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>London</text>
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            <element elementId="50">
              <name>Title</name>
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      <name>Still Image</name>
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          <name>Damaged?</name>
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              <text>No</text>
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          <description>The actual physical size of the original image</description>
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              <text>184x132mm</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>View from the 'Green', Newlyn Town, across the South Pier. </text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="156532">
                <text>One of the Stevenson &amp; Sons 75 foot trawlers on the repair slip. A stone 'coaster' waiting in the bay. Gill nets drying on the railings at the roadside, Fore Street, Newlyn.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="156533">
                <text>1965 estimate</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="156534">
                <text>Morrab Library</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="156535">
                <text>Print</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="156536">
                <text>Photograph</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="156577">
                <text>Newlyn</text>
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