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                  <text>Richards Collection</text>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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          <name>Individual Names</name>
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              <text>AF 5564</text>
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            <name>Identifier</name>
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                <text>TRANS 30OF 160</text>
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            <description>A name given to the resource</description>
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                <text>Gathering of Motorbikes &amp; Owners note goggles.  1912</text>
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            <description>The topic of the resource</description>
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                <text>Motorbike</text>
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                <text>1912</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Unknown</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Richards</text>
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                <text>Morrab Library</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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        <name>1911-1930</name>
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        <name>Travel and transport</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Zennor Wayside Museum</text>
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              <description>The topic of the resource</description>
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                  <text>Everyday life in rural Zennor</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The collection came from the Zennor Wayside Museum which was housed at the old mill in Zennor. It was privately run and when the owners retired the photograph were gifted to the Morrab Library. </text>
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                  <text>The following is taken from the Wayside Folk Museum Website: &#13;
The natural features of land and sea ensured that the area around to Zennor was remote and inaccessible until around the start of the 19th century. Only pack animals and sledges brought goods to this part of Cornwall, as there were no roads. Such isolation helped to preserve both ancient implements and customs. Towards the middle of the 20th century, Colonel Freddie Hirst began collecting relics peculiar to Zennor which eventually became exhibits in the Wayside Museum. Today there are more than five thousand items in the collection, exhibited in sixteen different display areas. These include an extensive collection of photographs and detailed information about people who have lived in the area. Exhibits include waterwheels from the Cornish mining industry, a cobble's shop with an exhibition on the history of the museum, and an 18th century kitchen. There is also a mill building, containing original machinery and millstones, a collection of early agricultural implements and a blacksmith's forge. In addition there are lots of domestic implements, many of which can be handled to demonstrate their original use. Within the complex is a tea garden, gift shop and a children's museum with a quiz trail and certificate for children who participate. Zennor is situated on the coast road to Land's End, four miles west of St Ives. The museum is open daily between April and October each year.</text>
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                  <text>Morrab Library</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>2015</text>
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              <description>Information about rights held in and over the resource</description>
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                  <text>Morrab Library</text>
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              <description>The file format, physical medium, or dimensions of the resource</description>
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                  <text>Photographic prints</text>
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      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Gathering Pooks of Hay  at Treen Farm</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Hay making</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Zennor</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Print</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>ZWM 009</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Angove Collection</text>
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              <description>An account of the resource</description>
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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <name>Individual Names</name>
          <description>Names of individuals identified in the photo.</description>
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              <text>T Clarkes Racing Motors. Gavioli et Cie Paris</text>
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          <name>Period Costume</name>
          <description>Does the photograph contain a notable example of period costume?</description>
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              <text>N</text>
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          <name>Item Location</name>
          <description>How to find the item (e.g. cabinet name or number, shelf number, drawer name or number)</description>
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              <text>B1</text>
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          <name>Damaged?</name>
          <description>Is the item damaged? Select Yes or No then describe in the "Condition" field.</description>
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          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>photo</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>ENT 6.002</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Gavioli Fairground Organ</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Music</text>
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              <elementText elementTextId="42956">
                <text>Fair Organ,</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="42959">
                <text>1975</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Angove</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>A fairground organ manufactured by Gavioli et Cie, Paris.</text>
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                <text>A fairground organ manufactured by Gavioli et Cie, Paris.</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Morrab Library</text>
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              <elementText elementTextId="106908">
                <text>Morrab Library</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="106902">
                <text>Morrab Library</text>
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                <text>Morrab Library</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Print</text>
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                <text>Print</text>
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              <description>A name given to the resource</description>
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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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          <name>Individual Names</name>
          <description>Names of individuals identified in the photo.</description>
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          <description>Does the photograph contain a notable example of period costume?</description>
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          <description>How to find the item (e.g. cabinet name or number, shelf number, drawer name or number)</description>
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              <text>B1</text>
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          <name>Damaged?</name>
          <description>Is the item damaged? Select Yes or No then describe in the "Condition" field.</description>
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                <text>Thought to be one of Britain's oldest fairground organs, later owned by Redruth Gladiator Club. Made in the Paris Workshop established by Ludovic Gavioli, reputedly "the greatest of all" organ builders. Gavioli introduced the Book System of  perforated pages to operate the pipes resulting in better reproduction of music.&#13;
&#13;
Fairground architecture reached a peak with the introduction of these organs and their accompanying road locomotives towards the end of the 19th century and continued its colourful Victorian flamboyance until the late 1930s.&#13;
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He was born near Liverpool in 1869 and adopted the additional name of Lamorna after 1896.&#13;
He was married to Houghton Emily Vivian and they had two daughters, Elizabeth Lamorna (known as Mornie) and Joan Houghton.&#13;
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Included are snapshots of many of his friends at social events.&#13;
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These photographs were donated by Judith Kerr, widow of Adam, grandson of Lamorna Birch.</text>
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                <text>Gazing at the view</text>
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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="101442">
                <text>Geared piece of equipment or machinery</text>
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  <item itemId="4477" public="1" featured="0">
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              <description>An account of the resource</description>
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        <element elementId="54">
          <name>Item Location</name>
          <description>How to find the item (e.g. cabinet name or number, shelf number, drawer name or number)</description>
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              <text>B2</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Geevor tin stamping round frames  </text>
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            <description>Information about rights held in and over the resource</description>
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                <text>© Morrab Library</text>
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                  <text>The Ronald Garlick Newport Collection of Gibson Wreck Photographs</text>
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              <description>An account of the resource</description>
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                  <text>A collection of mostly shipwreck photographs mostly by Gibson of Penzance.&#13;
References:&#13;
CSI: Richard Larn &amp; Clive Carter, Cornish Shipwrecks, Vol 1: The South Coast, 1969&#13;
DSA: Charles Hocking, Dictionary of Disasters at Sea During the Age of Steam 1824-1962, 1969 2 volumes&#13;
PSD: David L Williams, A Dictionary of Passenger Ship Disasters, 2009&#13;
WR: Cyrill Noall &amp; Graham Farr, Wreck and Rescue Round the Cornish Coast, 3 vols, 1964-5&#13;
Larn: Richard Larn Cornish Shipwrecks: the Isles of Scilly&#13;
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          <element elementId="50">
            <name>Title</name>
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                <text>Gem, Liverpool Paddle Steamer, Wrecked November 21st 1881.</text>
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                <text>Morrab library</text>
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                <text>Porth Loo, St.Mary's, Isles of Scilly</text>
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            <description>An account of the resource</description>
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                <text>Gem, was a double ended paddle steamer of Liverpool. The small ship was 400 tons gross and was owned by John Lander of Birkenhead. &#13;
&#13;
Gem was on passage from Holyhead for the Brass River, Niger, Africa. She contained 37 tons of coal as ballast. Her Captain was George Gibson and she carried a crew of 14 men. &#13;
&#13;
A serious leak was discovered on October 31st 1881 and she was beached at St. Ives on the north coast of Cornwall for examination. &#13;
&#13;
Finally, on November 21st 1881 she was moored to a buoy in St. Mary's pool but the cable parted during the night and she drifted ashore to become a total loss. &#13;
&#13;
Description from Richard Larn, Cornish Shipwrecks: Isles of Scilly (Newton Abbot: Charles &amp; David, 1971), p.100.</text>
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        <name>1871-1890</name>
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        <name>Seafaring and shipping</name>
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        <name>Wrecks</name>
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                  <text>Stanley Opie Archaeology</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The Stanley Opie Archaeology collection (1001 quarter plate glass negatives) covers archaeological sites and excavations from the 1920s to 1950s. It covers hillforts, megaliths, ancient villages, artefacts, excavations such as the Roman villa at Magor near Redruth, and Cornish cultural events such as the first Cornish Gorsedh at Boscawen-ûn in 1928.&lt;br /&gt;&lt;br /&gt;In 1935 Stanley entered a News Chronicle competition called "Britain 1935". A copy of his entry form was found attached to the back of a small print, listing his address, camera model and film type. He lived at Barncoose, Redruth, Cornwall, and used an Ensign Cameo No. 2 camera with Imperial Eclipse plates.&lt;br /&gt;&lt;br /&gt;The glass negatives were cleaned, repackaged and digitised thanks to funding from &lt;a href="http://www.cornwallheritagetrust.org"&gt;Cornwall Heritage Trust&lt;/a&gt;.</text>
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        <element elementId="63">
          <name>Acknowledgements</name>
          <description>Funding acknowledgements where appropriate.</description>
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              <text>Digitisation and conservation of the original glass negative was kindly supported by &lt;a href="http://www.cornwallheritagetrust.org/"&gt;Cornwall Heritage Trust&lt;/a&gt;.</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Quarter Plate Glass Negative</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="38276">
                <text>Genealogical tree. showing the ancestral stems and probable lines of descent of the higher primates (from book)</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Genealogical tree. showing the ancestral stems and probable lines of descent of the higher primates (from book)</text>
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              <elementText elementTextId="38279">
                <text>Morrab Library</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Dawson Napoleonic Collection</text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Napoleon</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="100017">
                  <text>Photographs of items from the Morrab Library's Dawson Napoleonic Collection</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                  <text>Dawson</text>
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      <elementContainer>
        <element elementId="61">
          <name>Artist</name>
          <description/>
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            <elementText elementTextId="100637">
              <text>Cooper, Robert</text>
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          <name>Engraver</name>
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            <elementText elementTextId="100638">
              <text>La Belle Assemblee</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>DAWSON/7/81 C</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>General and Madame Murat</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="100639">
                <text>3rd roll, n11+12</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="100640">
                <text>Morrab Library</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Napoleon</text>
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  <item itemId="11326" public="1" featured="0">
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              <description>A name given to the resource</description>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <element elementId="53">
          <name>Building Name</name>
          <description>Name of building or structure.</description>
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          <name>Individual Names</name>
          <description>Names of individuals identified in the photo.</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>GYMK 13HF 007</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>General Group in front of Trengwaington House</text>
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            <description>The topic of the resource</description>
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                <text>Hounds Huntsmen spectators</text>
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                <text>Mplay</text>
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            <name>Date</name>
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                <text>1910</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Trengwaington</text>
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        <name>community life</name>
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        <name>Festivals fairs and community events</name>
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              <description>An account of the resource</description>
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                  <text>Caldwell Harpur, (born Elliott Calwell Harpur in Spalford, Nottinghamshire, England on 25 February 1866) kept very detailed diaries from his 14th to 73rd years. He left these to the Penzance (Morrab) Library with the wish that they should be published after his death (which was 27th January 1945).&#13;
Also, donated was a large amount of correspondence and a family photo album.&#13;
The photo album has been restored and rests safely in the Morrab Library Photographic Archive. All the photos in the album have now been scanned and can be seen here.&#13;
Apart from a photograph of his father, Rev George Harpur, they are mostly images of his maternal relatives.  &#13;
Some are of views, servants and unknown people. A number are alas missing from the album.&#13;
Where the identities are known a brief details are given.</text>
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                <text>Horace Albert Browne was Caldwell's maternal Uncle.&#13;
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&#13;
See also CHA 111 and CHA 138&#13;
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                  <text>The collection came from the Zennor Wayside Museum which was housed at the old mill in Zennor. It was privately run and when the owners retired the photograph were gifted to the Morrab Library. </text>
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                  <text>The following is taken from the Wayside Folk Museum Website: &#13;
The natural features of land and sea ensured that the area around to Zennor was remote and inaccessible until around the start of the 19th century. Only pack animals and sledges brought goods to this part of Cornwall, as there were no roads. Such isolation helped to preserve both ancient implements and customs. Towards the middle of the 20th century, Colonel Freddie Hirst began collecting relics peculiar to Zennor which eventually became exhibits in the Wayside Museum. Today there are more than five thousand items in the collection, exhibited in sixteen different display areas. These include an extensive collection of photographs and detailed information about people who have lived in the area. Exhibits include waterwheels from the Cornish mining industry, a cobble's shop with an exhibition on the history of the museum, and an 18th century kitchen. There is also a mill building, containing original machinery and millstones, a collection of early agricultural implements and a blacksmith's forge. In addition there are lots of domestic implements, many of which can be handled to demonstrate their original use. Within the complex is a tea garden, gift shop and a children's museum with a quiz trail and certificate for children who participate. Zennor is situated on the coast road to Land's End, four miles west of St Ives. The museum is open daily between April and October each year.</text>
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                <text>Morrab Library</text>
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                  <text>Miscellaneous Photos</text>
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                  <text>Photographs  which have come from multiple sources. They include a huge variety of photos of subjects which appear elsewhere. </text>
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                <text>General view  Priests Cove  Ruins of Frank Oats greenhouses  P L 101. </text>
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                <text>© Morrab Library</text>
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                <text>CapeCornwall</text>
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