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                  <text>Serena Wadham Archive</text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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              <text>A note from WOMAN magazine</text>
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                <text>A note from WOMAN magazine from Christine Sparks assistant features editor.</text>
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                <text>1973-10-19</text>
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                <text>SWA.327.B.1</text>
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                <text>London</text>
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                <text>A note from Christine Sparks to Serena Wadham.&#13;
'Dear Ms Wadham&#13;
Thank you for sending us your material for us to consider.&#13;
I am sorry to say that I don't think our readers are quite ready for the kind of frankness shown in this article, but I am very grateful to have had the opportunity of looking at it.&#13;
Yours sincerely&#13;
Christine Sparks&#13;
Assistant features editor.</text>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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                <text>A parade by Madron &amp; Heamoor Boys Bridgade</text>
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        <name>1911-1930</name>
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        <name>community life</name>
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        <name>Schools and youth groups</name>
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          <name>Item Location</name>
          <description>How to find the item (e.g. cabinet name or number, shelf number, drawer name or number)</description>
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              <text>D3</text>
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                <text>A Party of Puffins, Mincurio Island (Scilly)</text>
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                <text>The Pictorial Stationery Co., Ltd., London</text>
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                <text>Morrab library</text>
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                <text>ANIM.PC.001</text>
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                <text>Isles of Scilly</text>
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                <text>Mousehole, Cornwall </text>
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            <description>A name given to the resource</description>
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                <text>A passageway between cottages in Mousehole, 1920-1925</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="155648">
                <text>Lady walking with bucket and another lady engaged in hanging out the washing. Judging by their dress, this suggests the dates to be 1920-1925.</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="155649">
                <text>The caption on the image indicates this is item 15061 created by Judges Limited, a wholesale producer of postcards in the UK between 1918 and 1939.&#13;
References:&#13;
&#13;
Judges Postcards: https://en.wikipedia.org/wiki/Judges_Postcards#Production_between_1918_and_1939&#13;
&#13;
Postcard 15061:&#13;
http://library.judges.co.uk/index.php/20th-Century-Nostalgic/Mousehole/mousehole-15061</text>
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                <text>1920-1925</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="155651">
                <text>Morrab Library</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Postcard</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Photograph</text>
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        <name>Domestic and family life</name>
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        <name>Textiles</name>
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        <name>Women's working life</name>
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  </item>
  <item itemId="22637" public="1" featured="0">
    <fileContainer>
      <file fileId="19166">
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              <description>An account of the resource</description>
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                  <text>An album of photos was donated to the library with no information attached other than a signature inscribed inside the cover.&#13;
'Florence M. Woodman Turner April 1907'.&#13;
From this name we found that this lady was born in Essex in 1885, died in 1977 and was buried in Marazion cemetery.&#13;
She was the daughter of Samuel Thomas Turner and Florence Maud Dennis, the latter being the daughter of Charles Dennis and Mary Woodman who lived at The Bungalow, Perran Crossroads. (Now a Chinese restaurant.)&#13;
Many of the family came down from Essex to visit Charles and Mary, and later settled here themselves.&#13;
They took many photos of the countryside around the area.&#13;
Also in the album are many photos of the family at home in Essex.&#13;
Florence M.Woodman Turner married Charles Henry Lee, son of Henry Lee, butler for Lord St. Levan on St Michaels Mount.</text>
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                  <text>Florence M. Woodman Turner</text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
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                <elementText elementTextId="177227">
                  <text>Morrab Library</text>
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                  <text>1900-1910</text>
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            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="177229">
                  <text>Morrab Library</text>
                </elementText>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
    </itemType>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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                <text>A pasty picnic&#13;
Florence Mary, Melinda May Turner, Stanley Turner</text>
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            <description>An account of the resource</description>
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                <text>A pasty picnic&#13;
Florence Mary, Melinda May Turner, Stanley Turner&#13;
&#13;
&#13;
From left. &#13;
Florence Maud Turner nee Dennis. 1862 -1951. She was the daughter of Charles and Mary Dennis, she was a London grocer who retired to Perranuthnoe circa 1885 and lived at Bungalow House on the cross roads now the Chinese restaurant. &#13;
Florence’s mother Mary was born near Exeter. &#13;
Florence married Samuel Thomas Turner OBE. &#13;
He was chief engineer for the construction of Tower Bridge amongst other things. &#13;
He retired to Marazion in 1920 and almost certainly took this photo . &#13;
&#13;
Melinda May Turner nee Rudd 1893-1977 married Stanley Linscott Turner (son of Samuel and Florence( 1895-1977)in 1916. &#13;
In the early 1920s they ran the Godolphin Hotel in Marazion until 1946, moving to run Tyacks Hotel, Camborne after WW11. and later the Bucket of Blood in Phillack until about 1960 and then retiring back to Marazion.  &#13;
&#13;
Most of the photos taken at that time were in the fields and coast of Perranuthnoe.</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="195865">
                <text>Morrab Library</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="195867">
                <text>TA.196</text>
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              <description>The topic of the resource</description>
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                <elementText elementTextId="154786">
                  <text>Items not in the Photo Archive but from the Morrab Library main archive.</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Various digitised images from the Morrab Archives. Each with the archival number expressed using dots instead of slashes.</text>
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              <name>Publisher</name>
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              <description>Information about rights held in and over the resource</description>
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        <element elementId="60">
          <name>Condition</name>
          <description>Record observations about the condition or conservation of the item, e.g. any damage (e.g. cracked, broken or chipped glass negative).</description>
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            <elementText elementTextId="207679">
              <text>Image has faded in places</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="207672">
                <text>A Photograph From Fred Phillips War Album</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="207673">
                <text>A small photograph showing Sergeant Don M Graham "Jock"&#13;
&#13;
On the back is written:&#13;
"Sergt; Don M Graham otherwise "Jock"&#13;
Save this for me "</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="207674">
                <text>Glyn Richards</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="207675">
                <text>Morrab Library&#13;
</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="207676">
                <text>Morrab Library&#13;
</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="207677">
                <text>Print</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="207678">
                <text>COL.34ii_038 / 038A</text>
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        <name>1911-1930</name>
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        <name>Military</name>
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  <item itemId="24259" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="154785">
                  <text>Morrab Archive</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="154786">
                  <text>Items not in the Photo Archive but from the Morrab Library main archive.</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="154787">
                  <text>Various digitised images from the Morrab Archives. Each with the archival number expressed using dots instead of slashes.</text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
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            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="154789">
                  <text>Morrab Library</text>
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      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>A Photograph From Fred Phillips War Album</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="208909">
                <text>A photograph of Corporal George Edgar Sharples who was killed in action June 10th 1918 at the age of 25.&#13;
&#13;
The little cutout says:&#13;
"Corporal GEORGE EDGAR SHARPLES,&#13;
Trench Mortar Battery, R.F.A.&#13;
Killed in action June 10th 1918,&#13;
Age 25 years. "&#13;
&#13;
On the back of the photo is a little card attached which says:&#13;
"Cpl. G. E. SHARPLES, No. 690172,&#13;
"X"&#13;
TRENCH MORTAR BATTERY,&#13;
21st ARMY CORPS,&#13;
E.E.F., EGYPT.&#13;
&#13;
From 100 Jubilee Drive, LIVERPOOL, Eng. "&#13;
&#13;
</text>
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            <name>Source</name>
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              <elementText elementTextId="208910">
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</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="208912">
                <text>Morrab Library&#13;
</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="208913">
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                <text>COL.34ii_040 /040A / 040B</text>
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        <name>1911-1930</name>
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        <name>Military</name>
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  <item itemId="20827" public="1" featured="0">
    <fileContainer>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="166881">
                  <text>Lamorna Birch Family Photos</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>A small collection of photos from the family of Samuel John 'Lamorna' Birch. 1869-1955, the founder of the colony of artists and writers  who lived and worked in and around the Lamorna Valley near Penzance, Cornwall. &#13;
He was born near Liverpool in 1869 and adopted the additional name of Lamorna after 1896.&#13;
He was married to Houghton Emily Vivian and they had two daughters, Elizabeth Lamorna (known as Mornie) and Joan Houghton.&#13;
The collection shows Lamorna with well known public figures; of himself at work;  and many of his wife and children.&#13;
Included are snapshots of many of his friends at social events.&#13;
An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson &amp; Company. 1995.&#13;
These photographs were donated by Judith Kerr, widow of Adam, grandson of Lamorna Birch.</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>A picnic on the beach</text>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>A picnic on the beach</text>
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            </elementTextContainer>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="182145">
                <text>Morrab Library</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="182146">
                <text>Morrab Library</text>
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                  <text>A small collection of photos from the family of Samuel John 'Lamorna' Birch. 1869-1955, the founder of the colony of artists and writers  who lived and worked in and around the Lamorna Valley near Penzance, Cornwall. &#13;
He was born near Liverpool in 1869 and adopted the additional name of Lamorna after 1896.&#13;
He was married to Houghton Emily Vivian and they had two daughters, Elizabeth Lamorna (known as Mornie) and Joan Houghton.&#13;
The collection shows Lamorna with well known public figures; of himself at work;  and many of his wife and children.&#13;
Included are snapshots of many of his friends at social events.&#13;
An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson &amp; Company. 1995.&#13;
These photographs were donated by Judith Kerr, widow of Adam, grandson of Lamorna Birch.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>A Poem   &#13;
A Summer Afternoon</text>
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            <description>An account of the resource</description>
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                <text>A Poem&#13;
A Summer Afternoon</text>
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                <text>Morrab Library</text>
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                <text>Morrab Library</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century.&#13;
It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those.&#13;
Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian.&#13;
All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
This collection is a very interesting record of the work of the Victorian photographer.</text>
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      <name>Still Image</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>A Pony awaits outside the Coachman's Tavern</text>
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                <text>A pony awaits outside the Coachman's Tavern</text>
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                <text>Morrab Library</text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="207348">
                <text>Morrab Library</text>
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            <name>Identifier</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Morrab Archive</text>
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            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Items not in the Photo Archive but from the Morrab Library main archive.</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Various digitised images from the Morrab Archives. Each with the archival number expressed using dots instead of slashes.</text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
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                  <text>Morrab Library</text>
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            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="154789">
                  <text>Morrab Library</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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      <elementSet elementSetId="1">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>A Postcard from Fred to Lottie</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="201364">
                <text>A postcard to Lottie Phillips from Fred (Her Husband) postmarked January 20th 1909.&#13;
&#13;
On the back is written:&#13;
&#13;
Dear Lottie&#13;
Just a line or so my love hope you will like this P.P.C &amp;&#13;
glad you are well dear as it leaves me much better at present&#13;
Well the weather is nice &amp; fine here now love the snow is all gone now &#13;
well I received your letter dear &amp; I will write again tomorrow&#13;
so now I will say good bye from your loving chap Fred xxxxxxxxx</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="201365">
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1909</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="201367">
                <text>Morrab Library&#13;
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="201368">
                <text>COL.34A_019 / 019A</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="201376">
                <text>Postcard</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="103142">
                  <text>Classic Postcard Collection </text>
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              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                  <text>Cornwall</text>
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          <name>Item Location</name>
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              <text>D3</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>A Quaint Corner, St. Ives, Cornwall</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="123327">
                <text>Overview at the North East end of the town, image reproduced from an original painting, artist unknown</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="123328">
                <text>E.T.W. Dennis &amp; Sons, Ltd., London &amp; Scarborough</text>
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            <name>Date</name>
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              <elementText elementTextId="123329">
                <text>c.1930</text>
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                <text>Morrab Library</text>
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                <text>St. Ives</text>
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                <text>Overview at the North East end of the town, image reproduced from an original painting, artist unknown</text>
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            <name>Rights</name>
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                <text>Morrab Library</text>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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                <text>Houses Motorbike</text>
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                  <text>Caldwell Harpur, (born Elliott Calwell Harpur in Spalford, Nottinghamshire, England on 25 February 1866) kept very detailed diaries from his 14th to 73rd years. He left these to the Penzance (Morrab) Library with the wish that they should be published after his death (which was 27th January 1945).&#13;
Also, donated was a large amount of correspondence and a family photo album.&#13;
The photo album has been restored and rests safely in the Morrab Library Photographic Archive. All the photos in the album have now been scanned and can be seen here.&#13;
Apart from a photograph of his father, Rev George Harpur, they are mostly images of his maternal relatives.  &#13;
Some are of views, servants and unknown people. A number are alas missing from the album.&#13;
Where the identities are known a brief details are given.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>A servant maid</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Caldwell Harpur</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Print</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>CHA 048</text>
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        <src>https://photoarchive.morrablibrary.org.uk/files/original/Pye_Collection/23902/PC.323.tif</src>
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            <element elementId="50">
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                  <text>Pye Collection</text>
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                  <text>The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century.&#13;
It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those.&#13;
Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian.&#13;
All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
This collection is a very interesting record of the work of the Victorian photographer.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="205967">
                <text>A ship Ethel at a grain store possibly Buffalo New York.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>A ship Ethel at a grain store possibly Buffalo New York.</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Morrab Library</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>C1870-1910</text>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="205971">
                <text>Morrab Library</text>
              </elementText>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Print</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>PC323</text>
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            </elementTextContainer>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Buffalo New York</text>
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