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                <text>Port  Minster (Porthminster)</text>
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                <text>Port  Minster (Porthminster) reproduced, Lithograph in a commercial album; The Album of Cornwall Views. Published by Charles, Reynolds &amp; Co. 26 and 27 Milk Street, London, E.C. c1890.</text>
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                <text>Charles, Reynolds &amp; Co. </text>
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                <text>Porth Minster</text>
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                <text>At Clodgey Point, St Ives</text>
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                <text>At Clodgey Point, St Ives, reproduced Lithograph in a commercial album; The Album of Cornwall Views. Published by Charles, Reynolds &amp; Co. 26 and 27 Milk Street, London, E.C. c1890.</text>
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                <text>Clodgey Point</text>
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                <text>Falmouth Harbour</text>
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                <text>Falmouth Harbour reproduced, Lithograph in a commercial album; The Album of Cornwall Views. Published by Charles, Reynolds &amp; Co. 26 and 27 Milk Street, London, E.C. c1890.</text>
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                <text>Charles, Reynolds &amp; Co. </text>
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                <text>Morrab Library</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>M.2659</text>
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                <text>Falmouth</text>
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                <text>St Michaels Mount</text>
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            <description>An account of the resource</description>
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                <text>St Michaels Mount, on front paste-down reproduced, Lithograph in a commercial album; The Album of Cornwall Views. Published by Charles, Reynolds &amp; Co.  26 and 27 Milk Street, London, E.C. c1890 Also showing text on rear paste-down of album; " Album of Views Published by Charles, Reynolds &amp; Co.  26 &amp; 27, Milk Street London, E.C. </text>
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                <text>Morrab Library</text>
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                <text>Morrab Library</text>
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                <text>Print</text>
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                <text>St Michaels Mount</text>
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  <item itemId="21060" public="1" featured="0">
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                  <text>A small collection of photos from the family of Samuel John 'Lamorna' Birch. 1869-1955, the founder of the colony of artists and writers  who lived and worked in and around the Lamorna Valley near Penzance, Cornwall. &#13;
He was born near Liverpool in 1869 and adopted the additional name of Lamorna after 1896.&#13;
He was married to Houghton Emily Vivian and they had two daughters, Elizabeth Lamorna (known as Mornie) and Joan Houghton.&#13;
The collection shows Lamorna with well known public figures; of himself at work;  and many of his wife and children.&#13;
Included are snapshots of many of his friends at social events.&#13;
An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson &amp; Company. 1995.&#13;
These photographs were donated by Judith Kerr, widow of Adam, grandson of Lamorna Birch.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Caricature of Lamorna Birch   Fishing</text>
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            <description>An account of the resource</description>
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                <text>Caricature of  Lamorna Birch  Fishing</text>
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            <name>Creator</name>
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                <text>Chas Crosbie  ???</text>
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                <text>Morrab Library</text>
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                <text>Morrab Library</text>
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                <text>lamornabirch.490</text>
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  <item itemId="17932" public="1" featured="0">
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                  <text>The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century.&#13;
It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those.&#13;
Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian.&#13;
All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
This collection is a very interesting record of the work of the Victorian photographer.</text>
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          <name>Physical Dimensions</name>
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            <description>A name given to the resource</description>
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                <text>Postcard. Penzance, Rough Sea.</text>
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            <description>The topic of the resource</description>
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                <text>Holiday.</text>
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                <text>Postcard. 136mm x 86mm. No stamp, postmark, address or message. Sepia image of waves breaking over Penzance South Pier and Lighthouse. Published by Clark's Library, Penzance. Serial number 9427.</text>
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                <text>Clark's Library, Penzance.</text>
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                <text>James Downing.</text>
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                <text>1905-1915</text>
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            <name>Rights</name>
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                <text>Morrab Library.</text>
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            <name>Identifier</name>
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                <text>Penzance.</text>
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                  <text>A small collection of photos from the family of Samuel John 'Lamorna' Birch. 1869-1955, the founder of the colony of artists and writers  who lived and worked in and around the Lamorna Valley near Penzance, Cornwall. &#13;
He was born near Liverpool in 1869 and adopted the additional name of Lamorna after 1896.&#13;
He was married to Houghton Emily Vivian and they had two daughters, Elizabeth Lamorna (known as Mornie) and Joan Houghton.&#13;
The collection shows Lamorna with well known public figures; of himself at work;  and many of his wife and children.&#13;
Included are snapshots of many of his friends at social events.&#13;
An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson &amp; Company. 1995.&#13;
These photographs were donated by Judith Kerr, widow of Adam, grandson of Lamorna Birch.</text>
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            <description>A name given to the resource</description>
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                <text>Le Bassin Aux Nympheas</text>
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            <description>An account of the resource</description>
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                <text>Le Bassin Aux Nympheas</text>
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            <name>Creator</name>
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              <elementText elementTextId="190697">
                <text>Claude Monet</text>
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            <name>Publisher</name>
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                <text>Morrab Library</text>
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                <text>Morrab Library</text>
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            <name>Identifier</name>
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                  <text>Angove Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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          <name>Individual Names</name>
          <description>Names of individuals identified in the photo.</description>
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              <text>Clive Carter</text>
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          <name>Period Costume</name>
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              <text>N</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>SCAPE 6.004</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49547">
                <text>Old Schooner Days at Bude Pen &amp; Ink Drawing</text>
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            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49548">
                <text>Landsea</text>
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              <elementText elementTextId="49549">
                <text>Ship</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49552">
                <text>1980</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="49553">
                <text>Angove</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117980">
                <text>Page torn from a book</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117981">
                <text>Clive Carter</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="117982">
                <text>Bude</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <name>Description</name>
              <description>An account of the resource</description>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <element elementId="58">
          <name>Individual Names</name>
          <description>Names of individuals identified in the photo.</description>
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            <elementText elementTextId="49593">
              <text>Clive Carter Cazenes 1893 Napoli IOTA</text>
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          <name>Period Costume</name>
          <description>Does the photograph contain a notable example of period costume?</description>
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            <elementText elementTextId="49594">
              <text>N</text>
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        <element elementId="56">
          <name>Subject Era</name>
          <description>e.g. "Victorian" or a later photo related to an earlier date. For example a 1920 photo of a ship wrecked in 1914 - enter 1914 into this field.</description>
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              <text>1893</text>
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          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>pen and ink drawing</text>
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          <name>Damaged?</name>
          <description>Is the item damaged? Select Yes or No then describe in the "Condition" field.</description>
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            <description>An unambiguous reference to the resource within a given context</description>
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            <description>A name given to the resource</description>
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            <description>The topic of the resource</description>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Pen and ink drawing of the grave of a cabin boy of the ship 'Iota' (1893) in Tintagel Churchyard. Drawing done by Clive Carter in 1983.&#13;
&#13;
Grid reference, SX 0506 8845&#13;
&#13;
For further information see Historic Environment Record, https://www.heritagegateway.org.uk/Gateway/Results_Single.aspx?uid=MCO6508&amp;resourceID=1020</text>
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                <text>Clive Carter</text>
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                  <text>Angove Collection</text>
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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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          <name>Individual Names</name>
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              <text>Clive Carter</text>
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              <text>N</text>
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          <element elementId="43">
            <name>Identifier</name>
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                <text>SCAPE 6.005</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Crabbers at Cadgwith Pen &amp; Ink Drawing</text>
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                <text>Fish Boat MOTOR Cottage OUT</text>
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                <text>1983</text>
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                <text>Angove</text>
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                <text>Page torn from a book</text>
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                <text>Clive Carter (Signed)</text>
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  <item itemId="18773" public="1" featured="0">
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      <name>Still Image</name>
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            <description>A name given to the resource</description>
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                <text>Image of Brixham harbour following the 1866 storm</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="164065">
                <text>Print and Negative of photograph</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Collins</text>
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                <text>1866</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>Morrab Library</text>
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                <text>Negative</text>
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                <text>Photograph</text>
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                <text>COLLINS.225</text>
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                <text>Brixham</text>
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  <item itemId="17215" public="1" featured="0">
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            <element elementId="50">
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              <description>An account of the resource</description>
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                  <text>Caldwell Harpur, (born Elliott Calwell Harpur in Spalford, Nottinghamshire, England on 25 February 1866) kept very detailed diaries from his 14th to 73rd years. He left these to the Penzance (Morrab) Library with the wish that they should be published after his death (which was 27th January 1945).&#13;
Also, donated was a large amount of correspondence and a family photo album.&#13;
The photo album has been restored and rests safely in the Morrab Library Photographic Archive. All the photos in the album have now been scanned and can be seen here.&#13;
Apart from a photograph of his father, Rev George Harpur, they are mostly images of his maternal relatives.  &#13;
Some are of views, servants and unknown people. A number are alas missing from the album.&#13;
Where the identities are known a brief details are given.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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            <description>A name given to the resource</description>
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                <text>"Theodore's Son"</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>"THE ABYSSINIAN PRINCE - We understand that our townsman, Mr Jabez Hughes, on Thursday last photographed the young son of the late Emperor Theodore, who is an exceedingly intelligent-looking little fellow. He was attended by his guardian, Captain Speedy."&#13;
Ilse of White Observer, 1 August 1868&#13;
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="151433">
                <text>Morrab Library</text>
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            <name>Identifier</name>
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                <text>CHA 009</text>
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                <text>Cornelius Jabez Hughes,(1818-1884) , photographer, daguerreotypist and writer. &#13;
He was born in London and spent his early years as a tailor. &#13;
Later he became interested in the new art of photography, and worked in London and Glasgow.&#13;
He later moved to the Ilse of White where he built the Regina House Studio at Ryde. This was close to Queen Victoria's Osborne House. The British Royalty became frequent patrons.</text>
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  <item itemId="12398" public="1" featured="0">
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                  <text>Bayliss Railway Collection</text>
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      <name>Still Image</name>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Identifier</name>
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                <text>TRANS BAY 117</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Information on County Class Locomotives</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>no print</text>
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            </elementTextContainer>
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                <text>Penzance</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>County of Cornwall=1006/County of Hants=1016/County of Salop=1026</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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  <item itemId="20438" public="1" featured="0">
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              <description>A name given to the resource</description>
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                  <text>Lamorna Birch Family Photos</text>
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              <description>An account of the resource</description>
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                  <text>A small collection of photos from the family of Samuel John 'Lamorna' Birch. 1869-1955, the founder of the colony of artists and writers  who lived and worked in and around the Lamorna Valley near Penzance, Cornwall. &#13;
He was born near Liverpool in 1869 and adopted the additional name of Lamorna after 1896.&#13;
He was married to Houghton Emily Vivian and they had two daughters, Elizabeth Lamorna (known as Mornie) and Joan Houghton.&#13;
The collection shows Lamorna with well known public figures; of himself at work;  and many of his wife and children.&#13;
Included are snapshots of many of his friends at social events.&#13;
An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson &amp; Company. 1995.&#13;
These photographs were donated by Judith Kerr, widow of Adam, grandson of Lamorna Birch.</text>
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      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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            <description>A name given to the resource</description>
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                <text>Sketch. Xmas day 1908</text>
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            <description>An account of the resource</description>
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                <text>Sketch. Xmas day 1908</text>
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            <name>Publisher</name>
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                <text>Morrab Library</text>
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                <text>Morrab Library</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Crosbie Garstin</text>
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  <item itemId="22043" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Lamorna Birch Family Photos</text>
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              <description>An account of the resource</description>
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                  <text>A small collection of photos from the family of Samuel John 'Lamorna' Birch. 1869-1955, the founder of the colony of artists and writers  who lived and worked in and around the Lamorna Valley near Penzance, Cornwall. &#13;
He was born near Liverpool in 1869 and adopted the additional name of Lamorna after 1896.&#13;
He was married to Houghton Emily Vivian and they had two daughters, Elizabeth Lamorna (known as Mornie) and Joan Houghton.&#13;
The collection shows Lamorna with well known public figures; of himself at work;  and many of his wife and children.&#13;
Included are snapshots of many of his friends at social events.&#13;
An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson &amp; Company. 1995.&#13;
These photographs were donated by Judith Kerr, widow of Adam, grandson of Lamorna Birch.</text>
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