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                  <text>Richards Collection</text>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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          <name>Street Name</name>
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              <text>Holmans Dry Dock</text>
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              <text>N</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>SHIP 25PG 107</text>
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            <description>A name given to the resource</description>
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                <text>A close view of men working on the hull  of the 'Scillonian'</text>
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            <name>Date</name>
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                <text>1934</text>
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                <text>Penzance</text>
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            <description>An account of the resource</description>
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                <text>Work being done on the 'Scillonian', possibly in Holmans Dry Dock</text>
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                <text>Richards</text>
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            <name>Publisher</name>
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                <text>Morrab Library</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Postcard Glass Negative</text>
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        <name>1931-1950</name>
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        <name>Ferry</name>
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        <name>Seafaring and shipping</name>
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        <name>Travel and transport</name>
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        <name>Working life</name>
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                  <text>Serena Wadham Archive</text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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                  <text>Serena Wadham</text>
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          <name>Physical Dimensions</name>
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              <text>12x9¾ inches</text>
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              <text>Serena Wadham&#13;
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                <text>A collage of 4 images showing a small Jewish boy and girl riding bikes.  The girl turns her bicycle upside-down to 'investigate'&#13;
[See caption 369.N.ii]</text>
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            <name>Date</name>
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                <text>1970-1980</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Silver Bromide Print</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Photograph</text>
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                <text>SWA.369.N.iii</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Clissold Park, Islington London</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <description>The topic of the resource</description>
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              <description>An account of the resource</description>
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                  <text>The Stanley Opie Archaeology collection (1001 quarter plate glass negatives) covers archaeological sites and excavations from the 1920s to 1950s. It covers hillforts, megaliths, ancient villages, artefacts, excavations such as the Roman villa at Magor near Redruth, and Cornish cultural events such as the first Cornish Gorsedh at Boscawen-ûn in 1928.&lt;br /&gt;&lt;br /&gt;In 1935 Stanley entered a News Chronicle competition called "Britain 1935". A copy of his entry form was found attached to the back of a small print, listing his address, camera model and film type. He lived at Barncoose, Redruth, Cornwall, and used an Ensign Cameo No. 2 camera with Imperial Eclipse plates.&lt;br /&gt;&lt;br /&gt;The glass negatives were cleaned, repackaged and digitised thanks to funding from &lt;a href="http://www.cornwallheritagetrust.org"&gt;Cornwall Heritage Trust&lt;/a&gt;.</text>
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          <name>Acknowledgements</name>
          <description>Funding acknowledgements where appropriate.</description>
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              <text>Digitisation and conservation of the original glass negative was kindly supported by &lt;a href="http://www.cornwallheritagetrust.org/"&gt;Cornwall Heritage Trust&lt;/a&gt;.</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Family Photographs</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Quarter Plate Glass Negative</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>A college street in Oxford. </text>
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            <description>An account of the resource</description>
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                <text>A college street in Oxford. </text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Stanley Opie</text>
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              <description>An account of the resource</description>
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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <name>Individual Names</name>
          <description>Names of individuals identified in the photo.</description>
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              <text>Clive Carter</text>
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          <name>Period Costume</name>
          <description>Does the photograph contain a notable example of period costume?</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>STRT 6.012</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>A Corner of Old Port Isaac Pen &amp; Ink Drawing</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Village</text>
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                <text>Cottage OUT</text>
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            <name>Date</name>
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                <text>1983</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Port Isaac</text>
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            <name>Source</name>
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                <text>A Court Scene, Newlyn</text>
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                <text>Building</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Vine Cottage, Boase Street, Newlyn, with hand written message to the reverse to a recipient in  New Malden, Surrey. The image to the obverse of this postcard is identical to BUILD.PC.047</text>
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            <name>Publisher</name>
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            <elementTextContainer>
              <elementText elementTextId="105047">
                <text>F. Frith &amp; Co. Ltd. Reigate</text>
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                <text>c. 1905</text>
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                <text>Morrab Library</text>
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                <text>Postcard</text>
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                <text>BUILD.PC.046</text>
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                <text>Newlyn</text>
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  <item itemId="5742" public="1" featured="0">
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                  <text>The Stanley Opie Archaeology collection (1001 quarter plate glass negatives) covers archaeological sites and excavations from the 1920s to 1950s. It covers hillforts, megaliths, ancient villages, artefacts, excavations such as the Roman villa at Magor near Redruth, and Cornish cultural events such as the first Cornish Gorsedh at Boscawen-ûn in 1928.&lt;br /&gt;&lt;br /&gt;In 1935 Stanley entered a News Chronicle competition called "Britain 1935". A copy of his entry form was found attached to the back of a small print, listing his address, camera model and film type. He lived at Barncoose, Redruth, Cornwall, and used an Ensign Cameo No. 2 camera with Imperial Eclipse plates.&lt;br /&gt;&lt;br /&gt;The glass negatives were cleaned, repackaged and digitised thanks to funding from &lt;a href="http://www.cornwallheritagetrust.org"&gt;Cornwall Heritage Trust&lt;/a&gt;.</text>
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          <name>Acknowledgements</name>
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              <text>Digitisation and conservation of the original glass negative was kindly supported by &lt;a href="http://www.cornwallheritagetrust.org/"&gt;Cornwall Heritage Trust&lt;/a&gt;.</text>
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                <text>Burial Chambers</text>
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                <text>A cross section of Chapel Carn Brea. Taken from 'Archaeologia' vol XLIX p 196</text>
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                <text>A cross section of Chapel Carn Brea. Taken from 'Archaeologia' vol XLIX p 196&#13;
&#13;
Grid reference, SW385 280</text>
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                  <text>A small collection of photos from the family of Samuel John 'Lamorna' Birch. 1869-1955, the founder of the colony of artists and writers  who lived and worked in and around the Lamorna Valley near Penzance, Cornwall. &#13;
He was born near Liverpool in 1869 and adopted the additional name of Lamorna after 1896.&#13;
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Included are snapshots of many of his friends at social events.&#13;
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These photographs were donated by Judith Kerr, widow of Adam, grandson of Lamorna Birch.</text>
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                <text>A cross with church in background</text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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                  <text>Serena Wadham</text>
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              <name>Identifier</name>
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          <name>Physical Dimensions</name>
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              <text>Serena Wadham&#13;
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            <description>A name given to the resource</description>
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                <text>A crowd of men surround an old woman (Aggie) who is preaching.  The men are laughing and pretending to kiss her.</text>
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            <description>An account of the resource</description>
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                <text>A caption reads:&#13;
'Erin Pizzy writes about the men who need protection.'</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Serena Wadham&#13;
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                <text>1970-1980</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Silver Bromide Print</text>
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                <text>London</text>
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The collection shows Lamorna with well known public figures; of himself at work;  and many of his wife and children.&#13;
Included are snapshots of many of his friends at social events.&#13;
An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson &amp; Company. 1995.&#13;
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