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                  <text>The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century.&#13;
It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those.&#13;
Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian.&#13;
All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
This collection is a very interesting record of the work of the Victorian photographer.</text>
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                <text>Young man in Corporal's uniform -Marksman crossed Rifles</text>
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                <text>Young man in Corporal's uniform-Marksman crossed Rifles.</text>
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                <text>AJF Bond Bodmin., had a photographic studio in Bodmin in early part of 20C. Did photos for DCLI who enlisted at Bodmin for WW1 as well as private photos.</text>
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                <text>!900-1930</text>
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                  <text>A small collection of photos from the family of Samuel John 'Lamorna' Birch. 1869-1955, the founder of the colony of artists and writers  who lived and worked in and around the Lamorna Valley near Penzance, Cornwall. &#13;
He was born near Liverpool in 1869 and adopted the additional name of Lamorna after 1896.&#13;
He was married to Houghton Emily Vivian and they had two daughters, Elizabeth Lamorna (known as Mornie) and Joan Houghton.&#13;
The collection shows Lamorna with well known public figures; of himself at work;  and many of his wife and children.&#13;
Included are snapshots of many of his friends at social events.&#13;
An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson &amp; Company. 1995.&#13;
These photographs were donated by Judith Kerr, widow of Adam, grandson of Lamorna Birch.</text>
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                <text>Christmas greeting</text>
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                  <text>The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century.&#13;
It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those.&#13;
Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian.&#13;
All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
This collection is a very interesting record of the work of the Victorian photographer.</text>
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                <text>Young mother, with daughter standing on chair</text>
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                  <text>The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century.&#13;
It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those.&#13;
Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian.&#13;
All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
This collection is a very interesting record of the work of the Victorian photographer.</text>
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                  <text>The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century.&#13;
It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those.&#13;
Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian.&#13;
All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
This collection is a very interesting record of the work of the Victorian photographer.</text>
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                  <text>The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century.&#13;
It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those.&#13;
Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian.&#13;
All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
This collection is a very interesting record of the work of the Victorian photographer.</text>
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&#13;
Eleanor Honey</text>
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                <text>Alfred Herbert Hawke was a photographer and postcard publisher based in Helston in Cornwall, whose work was produced during the first half of the 20th century. He worked from a shop and studio in Meneage Street, Helston travelling around the Cornish coastline and villages. No known views of inland locations such as Truro &amp; Bodmin are known to exist. Hawke also visited the north coast of Devon and published views of Clovelly, Coombe Martin and Bucks Mill amongst others. Regular events such as the Helston Flora (Furry) Dance and Padstow Hobby Hoss Day were photographed as were single ones such as shipwrecks, fires and elections. Particular events such as the visit of the Lord Mayor Treloar of London to the Flora Day and St.Keverne in 1907 or the demonstration of the new Helston fire engine in 1910. Some formally posed studio portraits exist but these are unfortunately mainly unidentified. Sets of cards were produced for hotels and country houses, amongst these were the Bay Hotel, Newquay and Godolphin House. He produced also calendars and bookmarks depicting his photgraphs.&#13;
The quality of his work is variable both in composition and printing and similar to the quality of the work of his comtemporaries such as Bragg, Opie and Govier.</text>
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                <text>PC 049</text>
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              <description>An account of the resource</description>
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                  <text>The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century.&#13;
It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those.&#13;
Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian.&#13;
All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
This collection is a very interesting record of the work of the Victorian photographer.</text>
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                <text>Portrait of young woman in white dress, head and shoulders,&#13;
&#13;
Bertha Glasson</text>
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            <description>An account of the resource</description>
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&#13;
Bertha Glasson</text>
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              <elementText elementTextId="156400">
                <text>Alfred Herbert Hawke was a photographer and postcard publisher based in Helston in Cornwall, whose work was produced during the first half of the 20th century. He worked from a shop and studio in Meneage Street, Helston travelling around the Cornish coastline and villages. No known views of inland locations such as Truro &amp; Bodmin are known to exist. Hawke also visited the north coast of Devon and published views of Clovelly, Coombe Martin and Bucks Mill amongst others. Regular events such as the Helston Flora (Furry) Dance and Padstow Hobby Hoss Day were photographed as were single ones such as shipwrecks, fires and elections. Particular events such as the visit of the Lord Mayor Treloar of London to the Flora Day and St.Keverne in 1907 or the demonstration of the new Helston fire engine in 1910. Some formally posed studio portraits exist but these are unfortunately mainly unidentified. Sets of cards were produced for hotels and country houses, amongst these were the Bay Hotel, Newquay and Godolphin House. He produced also calendars and bookmarks depicting his photgraphs.&#13;
The quality of his work is variable both in composition and printing and similar to the quality of the work of his comtemporaries such as Bragg, Opie and Govier.</text>
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          <element elementId="45">
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              <elementText elementTextId="156401">
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            <elementTextContainer>
              <elementText elementTextId="156403">
                <text>Morrab Library</text>
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                <text>PC 050</text>
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                  <text>A small collection of photos from the family of Samuel John 'Lamorna' Birch. 1869-1955, the founder of the colony of artists and writers  who lived and worked in and around the Lamorna Valley near Penzance, Cornwall. &#13;
He was born near Liverpool in 1869 and adopted the additional name of Lamorna after 1896.&#13;
He was married to Houghton Emily Vivian and they had two daughters, Elizabeth Lamorna (known as Mornie) and Joan Houghton.&#13;
The collection shows Lamorna with well known public figures; of himself at work;  and many of his wife and children.&#13;
Included are snapshots of many of his friends at social events.&#13;
An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson &amp; Company. 1995.&#13;
These photographs were donated by Judith Kerr, widow of Adam, grandson of Lamorna Birch.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Return of Spring</text>
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            <description>An account of the resource</description>
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                <text>The Return of Spring</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Allebasi Redael.    (Isabella Reader)</text>
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            <elementTextContainer>
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                <text>Morrab Library</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>Morrab Library</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Identifier</name>
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  <item itemId="18293" public="1" featured="0">
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                  <text>This collection comprises of the family photos of Carlene Edith Harry, who was born in Essex in 1937.&#13;
She was the only child of Edith Sarah Harry (nee Tuck, 1911-1974) and Charles Clifford Harry (known as Clifford, 1904-1997)&#13;
Carlene's father was born in Carnyorth and she was immensely proud of her Cornish heritage and keenly interested in all aspects of local history and culture.&#13;
Her working life was spent at the Bank of England. When she eventually moved back to Cornwall she first lived in Truro before finally returning to Pendeen, where she immersed herself in the local community, being an active member of her church, the W.I. and several local history groups.&#13;
Morrab Library holds the publications of the Penwith Local History Group: 'Growing Up in West Cornwall', 'West Cornwall in the Twentieth Century', and 'Homes and households in west Cornwall'. All of these include articles written by Carlene, taken from her father's memories of Carnyorth and other related material.&#13;
Her second cousin was Raymond Harry who, under the pseudonym Jack Penhale, wrote 'The Mine Under the Sea', based on his experience working at Levant Mine as a 14 year old during the 1st World war. He was there at the time of the Levant Mine Disaster.&#13;
On her death in August 2020, Carlene left generous bequests to 7 local charities, confirming again her love of Cornwall and West Penwith in particular.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Studio photo of a man in a dinner jacket.</text>
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            <description>An account of the resource</description>
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                <text>'To my Phyl, Tom'</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Andree, 103 Bruce Grove, Tottenham, London</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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                <text>H.58</text>
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  <item itemId="22967" public="1" featured="0">
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              <description>A name given to the resource</description>
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                  <text>Newlyn Archive</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>These items were donated to The Morrab Library Photo Archive by Newlyn Archive, as they concentrate on records specific to Newlyn.   There is a variety of subjects ranging from images of old Penzance, to various theatricals, including at The Minack. &#13;
&#13;
Photographs NA.019 to NA.043 are all annotated 'Porthcurno Minnack 1999' , and relate to a performance of The Trojan Women.   A list of cast members is shown in NA.019a, attached to NA.019&#13;
&#13;
Many items are referenced as coming from WC Archive, which may refer to West Cornwall Archive.</text>
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          <name>Item Location</name>
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                <text>© Morrab Library</text>
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                <text>Queen Elizabeth 11, Mayor,  Lord Falmouth  Lord Lieutenant. Penzance.</text>
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                <text>Silvermill</text>
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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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                <text>THROUGH SECURITY FENCE </text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Nancecuke, Portreath</text>
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          <name>Damaged?</name>
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            <description>A name given to the resource</description>
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                <text>Jeannette Williams</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Morrab Library</text>
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                <text>Print</text>
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                <text>M.2342</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>C 1930</text>
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                  <text>Cornwall</text>
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      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <name>Item Location</name>
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              <text>D3</text>
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              <text>The Sloop Inn</text>
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              <text>Anne Croft</text>
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            <description>A name given to the resource</description>
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            <description>An account of the resource</description>
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                <text>A view of the Inn from an original painting</text>
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            <description>An entity primarily responsible for making the resource</description>
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            <description>An entity responsible for making the resource available</description>
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                <text>A. Vivian Mansell &amp; Co. Ltd</text>
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                <text>Morrab Library</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>BUILD.PC.045</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>St. Ives</text>
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  <item itemId="12343" public="1" featured="0">
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>TRANS BAY 001</text>
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            <description>A name given to the resource</description>
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                <text>Long Rock</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Bayliss Railway Collection</text>
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            <name>Identifier</name>
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                <text>TRANS BAY 025</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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