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                  <text>Miscellaneous Photos</text>
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                  <text>Photographs  which have come from multiple sources. They include a huge variety of photos of subjects which appear elsewhere. </text>
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                <text>Clan Malcolm, wrecked at Mulvin Rock, September 26th  1935</text>
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                <text>The wreck of the SS Clan Malcolm off Lizard Point in Cornwall is of particular interest to me because my grandfather Captain Lawrance Wilfrid Gibbins went on board her when he was a junior officer with the Clan Line in the 1920s. Launched in November 1917 by Craig, Taylor and Co. Ltd at Stockton-on-Tees, she had a triple-expansion steam engine and was registered at 5,994 gross tons, and in common with all Clan Line ships she was crewed by British officers and Lascar seamen. After war service from April 1917 to March 1919 she returned to commercial use, sailing on the standard Clan Line routes to and from South Africa, India and Australia. On 8 October 1921 on a voyage from Glasgow to Liverpool she collided in fog with the steamer Rowan, which sank with the loss of 20 lives. At 8 pm on 26 September 1935, while homeward bound with a cargo of maize from Port Natal and Durban via London for Glasgow, she ran aground in fog beneath the Lizard Coastguard Station, her engine room and hold quickly filling with water. The crew were taken off and landed at Cadgwith, but any hope of salvaging the ship was lost and on 4 November she broke her back - photographs taken over those days show the wreck settling until little was visible above water. In the subsequent enquiry the Master was held to blame and had his certificate suspended for a year.&#13;
&#13;
I dived on the Clan Malcolm with Ben Dunstan from his boat in June 2021, on a relatively calm day when the tide was just beginning to flow. The wreck lies in 12-14 m depth in the middle of the worst tidal area off the point, where the spring ebb can run at 5 knots - so it is a place to dive with great care. As the photos (including the banner image) show, masses of wreckage including much of the engine and shaft lie under dense growths of kelp that cover much of the seabed. Unlike most of the other wrecks off Lizard Point it is one where there was no loss of life, but even so it is poignant for me thinking of my grandfather and the other crew who trod her decks a century ago.&#13;
&#13;
From:  DavidGibbons.com</text>
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                <text>Malcolm Waters</text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
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                <text>Clarence Place, off Clarence Street. Near car park top of Causewayhead, Car park built over Reservoir</text>
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                <text>© Morrab Library</text>
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            <name>Identifier</name>
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                <text>Buildings</text>
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                <text>Situated off Clarence Street via Clarence Terrace</text>
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                <text>Margaret Orchard</text>
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                <text>1980</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>35mm Slide</text>
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            <description>The nature or genre of the resource</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>ORCH.SL.0220</text>
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                <text>Penzance</text>
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                <text>Pages from the Freddie Philips Collection Album.</text>
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                  <text>Photographs  which have come from multiple sources. They include a huge variety of photos of subjects which appear elsewhere. </text>
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                <text>Clark's Library. Mates Illustrated Penzance (Corporation Official Guide)</text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="17813">
                <text>© Morrab Library</text>
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            <name>Identifier</name>
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                <text>Penzance</text>
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                <text>Clark's Library. Mates Illustrated Penzance (Corpo</text>
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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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            <description>A name given to the resource</description>
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                <text>Class 24 Diesel Passenger Train, Euston to Rugby, 1960</text>
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                <text>Morrab library</text>
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              <description>A name given to the resource</description>
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            <name>Title</name>
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                <text>Class at St Hilary School</text>
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                <text>A class at St. Hilary School, taken around 1965.  The Headmaster Mr. Hart is standing at the back right and class teacher Mrs. Avis Martin is at the back  left.</text>
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            <name>Identifier</name>
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                <text>M.2986</text>
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                <text>St, Hilary</text>
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                <text>Class of Petty Officers, Master's Assistant.&#13;
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                <text>1st Class of Petty Officers, Master's Assistant. R.N. Post Card. Image from the Dawson Collection, Scrapbooks from the Napoleonic era.&#13;
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          <name>Damaged?</name>
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              <text>202x126mm</text>
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                <text>Classic photo of a large procession of townsfolk along Newlyn's new harbour road during a gala day</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>JDC 437</text>
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            <description>An account of the resource</description>
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                <text>The new harbour road was built in 1908. It joined Newlyn Town and Street-an-Nowan, previously only subject to access at low water. The photo shows Newlyn Town before 'The Clearances' and building of Gwavas Estate and the new cliff walls. It is thought that these people are from 'Uplong', Newlyn Town. The big house at the top right is Penzer House.</text>
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                <text>1908-1910</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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                <text>Print</text>
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            <name>Coverage</name>
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                <text>Newlyn </text>
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  <item itemId="18496" public="1" featured="0">
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                  <text>Morrab Library</text>
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              <description>An account of the resource</description>
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                  <text>The surname comes from the farm of Trevaskis standing close by Gwinear parish.&#13;
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Business continued into the early years of the 20th Century - it is not known when Mr Trevaskis died. The business was revived by his daughter Miss Polly Trevaskis who was listed as a photographer at Leedstown up to the start of the last war.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Claude Trevaskis</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Claude Trevaskis when he was 32</text>
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                <text>Morrab Library</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1886 -1918</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Quarter Plate Glass Negative</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>TJ.5</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Trevaskis  Leedstown</text>
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  <item itemId="19438" public="1" featured="0">
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            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
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                <elementText elementTextId="167295">
                  <text>Morrab Library</text>
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              <description>A name given to the resource</description>
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                  <text>Alfred Edmund Julian Collection</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <name>Damaged?</name>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Clay Country</text>
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            <description>An account of the resource</description>
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                <text>Clay Country in the St Austell area showing a china clay processing plant. A number of buildings in evidence with the tall chimneys in the drying area. There are several holding tanks for the china clay.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>AE Julian</text>
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            <name>Source</name>
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                <text>St Ives Archive</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Morrab Library</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="169933">
                <text>Other Glass Negative</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="169934">
                <text>AEJ.98</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>St Austell</text>
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    <tagContainer>
      <tag tagId="2439">
        <name>Mining and quarrying</name>
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        <name>Working life</name>
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            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
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                <elementText elementTextId="167295">
                  <text>Morrab Library</text>
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              <description>A name given to the resource</description>
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                  <text>Alfred Edmund Julian Collection</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <name>Damaged?</name>
          <description>Is the item damaged? Select Yes or No then describe in the "Condition" field.</description>
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            <elementText elementTextId="169947">
              <text>Yes</text>
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        <element elementId="60">
          <name>Condition</name>
          <description>Record observations about the condition or conservation of the item, e.g. any damage (e.g. cracked, broken or chipped glass negative).</description>
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            <elementText elementTextId="169948">
              <text>Glass chipped in top corner. Image is very dark.</text>
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        </element>
        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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            <elementText elementTextId="169949">
              <text>6.5 x 4.5</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="169938">
                <text>Clay Country</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>AE Julian</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>St Ives Archive</text>
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            <description>An entity responsible for making the resource available</description>
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            <description>Information about rights held in and over the resource</description>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Other Glass Negative</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>St Austell</text>
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          <name>Damaged?</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Clay Country</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Clay Country showing China Clay heaps in the background.Middle ground shows the driers. A man stands in the foreground.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>St Ives Archive.</text>
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            <description>An entity responsible for making the resource available</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>AEJ.143</text>
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        <name>Mining and quarrying</name>
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      <tag tagId="2438">
        <name>Working life</name>
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