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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Richards Collection</text>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <name>Individual Names</name>
          <description>Names of individuals identified in the photo.</description>
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              <text>Lady of the Isles</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>WRECKS 32HG 043</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>"Lady of the Isles" Scillonian ferry aground</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1904-09-01</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Lamorna Cove</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Aground in fog at Lamorna Cove. &#13;
The stranded passengers had to be ferried off by rowing boat. The ferry was later reflected, but was later sunk by a mine in Falmouth Bay 1939</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Richards</text>
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        <name>1891-1910</name>
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        <name>Ferry</name>
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        <name>Seafaring and shipping</name>
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      <tag tagId="2445">
        <name>Travel and transport</name>
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      <tag tagId="698">
        <name>Wrecks</name>
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  <item itemId="16002" public="1" featured="0">
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              <description>A name given to the resource</description>
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                  <text>Orchard Slide Collection 2</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <element elementId="54">
          <name>Item Location</name>
          <description>How to find the item (e.g. cabinet name or number, shelf number, drawer name or number)</description>
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              <text>Shelf 3</text>
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          <name>Original Format</name>
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              <text>Photograph</text>
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            <description>A name given to the resource</description>
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                <text>"Matelot's Cottage" Belle View, Newlyn</text>
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            <description>The topic of the resource</description>
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                <text>Buildings</text>
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                <text>Built circa 1730 and situated in Belle View, Newlyn. Named after a former resident in the 1960s, artist Frank Dewar an ex Naval Officer, who specialised in paintings of sailing ships. The cottage notably has a ship's figurehead in the front garden.</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Margaret Orchard</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Morrab Library</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1970-07</text>
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                <text>Morrab Library</text>
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                <text>35mm Slide</text>
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            <description>The nature or genre of the resource</description>
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                <text>Photograph</text>
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            <name>Identifier</name>
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                <text>Newlyn</text>
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        <name>artist</name>
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  <item itemId="18316" public="1" featured="0">
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                  <text>Harry Collection</text>
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                  <text>This collection comprises of the family photos of Carlene Edith Harry, who was born in Essex in 1937.&#13;
She was the only child of Edith Sarah Harry (nee Tuck, 1911-1974) and Charles Clifford Harry (known as Clifford, 1904-1997)&#13;
Carlene's father was born in Carnyorth and she was immensely proud of her Cornish heritage and keenly interested in all aspects of local history and culture.&#13;
Her working life was spent at the Bank of England. When she eventually moved back to Cornwall she first lived in Truro before finally returning to Pendeen, where she immersed herself in the local community, being an active member of her church, the W.I. and several local history groups.&#13;
Morrab Library holds the publications of the Penwith Local History Group: 'Growing Up in West Cornwall', 'West Cornwall in the Twentieth Century', and 'Homes and households in west Cornwall'. All of these include articles written by Carlene, taken from her father's memories of Carnyorth and other related material.&#13;
Her second cousin was Raymond Harry who, under the pseudonym Jack Penhale, wrote 'The Mine Under the Sea', based on his experience working at Levant Mine as a 14 year old during the 1st World war. He was there at the time of the Levant Mine Disaster.&#13;
On her death in August 2020, Carlene left generous bequests to 7 local charities, confirming again her love of Cornwall and West Penwith in particular.</text>
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            <description>A name given to the resource</description>
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                <text>"Matthew Prisk" b. 1900</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Lived in Trewellard, Pendeen, Cornwall</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Causewayhead, Penzance "Stickyback" &#13;
From an album of 6.&#13;
Each photo 4.5 x 3 cms.</text>
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            <name>Source</name>
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                <text>Carlene Harry</text>
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                <text>1908-1912</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <name>Format</name>
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                <text>Print</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>H.75</text>
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  <item itemId="18314" public="1" featured="0">
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                  <text>This collection comprises of the family photos of Carlene Edith Harry, who was born in Essex in 1937.&#13;
She was the only child of Edith Sarah Harry (nee Tuck, 1911-1974) and Charles Clifford Harry (known as Clifford, 1904-1997)&#13;
Carlene's father was born in Carnyorth and she was immensely proud of her Cornish heritage and keenly interested in all aspects of local history and culture.&#13;
Her working life was spent at the Bank of England. When she eventually moved back to Cornwall she first lived in Truro before finally returning to Pendeen, where she immersed herself in the local community, being an active member of her church, the W.I. and several local history groups.&#13;
Morrab Library holds the publications of the Penwith Local History Group: 'Growing Up in West Cornwall', 'West Cornwall in the Twentieth Century', and 'Homes and households in west Cornwall'. All of these include articles written by Carlene, taken from her father's memories of Carnyorth and other related material.&#13;
Her second cousin was Raymond Harry who, under the pseudonym Jack Penhale, wrote 'The Mine Under the Sea', based on his experience working at Levant Mine as a 14 year old during the 1st World war. He was there at the time of the Levant Mine Disaster.&#13;
On her death in August 2020, Carlene left generous bequests to 7 local charities, confirming again her love of Cornwall and West Penwith in particular.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>"Mrs Butters"</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Bakers in Pendeen.&#13;
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Causewayhead, Penzance. "Stickback" From an album of six.&#13;
Each picture 4.5 x 3 cms.</text>
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            <name>Source</name>
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                <text>Carlene Harry</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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                <text>Print</text>
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            <name>Identifier</name>
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                <text>H.73</text>
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  <item itemId="17441" public="1" featured="0">
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        <src>https://photoarchive.morrablibrary.org.uk/files/original/Caldwell_Harpur_Family_Album/17441/CHA_066.tif</src>
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              <description>An account of the resource</description>
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                  <text>Caldwell Harpur, (born Elliott Calwell Harpur in Spalford, Nottinghamshire, England on 25 February 1866) kept very detailed diaries from his 14th to 73rd years. He left these to the Penzance (Morrab) Library with the wish that they should be published after his death (which was 27th January 1945).&#13;
Also, donated was a large amount of correspondence and a family photo album.&#13;
The photo album has been restored and rests safely in the Morrab Library Photographic Archive. All the photos in the album have now been scanned and can be seen here.&#13;
Apart from a photograph of his father, Rev George Harpur, they are mostly images of his maternal relatives.  &#13;
Some are of views, servants and unknown people. A number are alas missing from the album.&#13;
Where the identities are known a brief details are given.</text>
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                <text>"No photograph"  and Burmese Servant</text>
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            <description>Information about rights held in and over the resource</description>
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&#13;
&#13;
Due to the size of some of the images, zooming in will result in pixelation. &#13;
You can visit the library on Thursday from 10:00 - 12:00 and request to see the full quality Tiff images.</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Photograph</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="130789">
                <text>BUILD.COR.093</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="130790">
                <text>Crantock</text>
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  <item itemId="13256" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Dawson Napoleonic Collection</text>
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              <description>The topic of the resource</description>
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                  <text>Napoleon</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="100017">
                  <text>Photographs of items from the Morrab Library's Dawson Napoleonic Collection</text>
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                  <text>Dawson</text>
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              <text>Gihaut Freres</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>DAWSON/4/88 B</text>
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            <description>A name given to the resource</description>
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                <text>"The Master's Eye" - Napoleon surveying the cavalry</text>
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            <description>The nature or genre of the resource</description>
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                <text>Print</text>
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                <text>loose (5X4)</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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  <item itemId="15739" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="134370">
                  <text>Orchard Slide Collection 2</text>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
      <elementContainer>
        <element elementId="54">
          <name>Item Location</name>
          <description>How to find the item (e.g. cabinet name or number, shelf number, drawer name or number)</description>
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              <text>Shelf 3</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>"The Pipers" Standing Stone</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Architecture</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="135877">
                <text>Standing stone, located near Boleigh Hill Farm, St Buryan Parish. The image is of Standing Stone II, see map&#13;
&#13;
For further information see Historic Environment Record, https://www.heritagegateway.org.uk/Gateway/Results_Single.aspx?uid=MCO7484&amp;resourceID=1020&#13;
&#13;
Grid reference, SW4355 2482</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Margaret Orchard</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Morrab Library</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1977-06</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="135882">
                <text>35mm Slide</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Photograph</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>ORCH.SL.0075</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Boleigh Hill Farm, St Buryan Parish</text>
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        <name>archaeology</name>
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        <name>menhir</name>
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  <item itemId="17215" public="1" featured="0">
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        <src>https://photoarchive.morrablibrary.org.uk/files/original/Caldwell_Harpur_Family_Album/17215/CHA_009.tif</src>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Caldwell Harpur Family Album</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Caldwell Harpur, (born Elliott Calwell Harpur in Spalford, Nottinghamshire, England on 25 February 1866) kept very detailed diaries from his 14th to 73rd years. He left these to the Penzance (Morrab) Library with the wish that they should be published after his death (which was 27th January 1945).&#13;
Also, donated was a large amount of correspondence and a family photo album.&#13;
The photo album has been restored and rests safely in the Morrab Library Photographic Archive. All the photos in the album have now been scanned and can be seen here.&#13;
Apart from a photograph of his father, Rev George Harpur, they are mostly images of his maternal relatives.  &#13;
Some are of views, servants and unknown people. A number are alas missing from the album.&#13;
Where the identities are known a brief details are given.</text>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>"Theodore's Son"</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>"THE ABYSSINIAN PRINCE - We understand that our townsman, Mr Jabez Hughes, on Thursday last photographed the young son of the late Emperor Theodore, who is an exceedingly intelligent-looking little fellow. He was attended by his guardian, Captain Speedy."&#13;
Ilse of White Observer, 1 August 1868&#13;
</text>
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                <text>1868</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="151433">
                <text>Morrab Library</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Print</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>CHA 009</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="154631">
                <text>Cornelius Jabez Hughes,(1818-1884) , photographer, daguerreotypist and writer. &#13;
He was born in London and spent his early years as a tailor. &#13;
Later he became interested in the new art of photography, and worked in London and Glasgow.&#13;
He later moved to the Ilse of White where he built the Regina House Studio at Ryde. This was close to Queen Victoria's Osborne House. The British Royalty became frequent patrons.</text>
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  <item itemId="23133" public="1" featured="0">
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        <src>https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/23133/swa.contact.0083.tif</src>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="101043">
                  <text>Serena Wadham Archive</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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                  <text>Serena Wadham</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>SWA</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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              <text>10x8 inches</text>
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              <text>Serena Wadham</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>"Two girls"</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Two girls</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="199434">
                <text>"Two girls" portraits in interior</text>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="199435">
                <text>Serena Wadham</text>
              </elementText>
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          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="199436">
                <text>Morrab Library</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1960s</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="199438">
                <text>Morrab Library</text>
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          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="199439">
                <text>Silver Bromide Print</text>
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            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>swa.contact.0083</text>
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  <item itemId="20615" public="1" featured="0">
    <fileContainer>
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        <src>https://photoarchive.morrablibrary.org.uk/files/original/Lamorna_Birch_Family_Photos/20615/lamornabirch.388.tif</src>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="166881">
                  <text>Lamorna Birch Family Photos</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="166882">
                  <text>A small collection of photos from the family of Samuel John 'Lamorna' Birch. 1869-1955, the founder of the colony of artists and writers  who lived and worked in and around the Lamorna Valley near Penzance, Cornwall. &#13;
He was born near Liverpool in 1869 and adopted the additional name of Lamorna after 1896.&#13;
He was married to Houghton Emily Vivian and they had two daughters, Elizabeth Lamorna (known as Mornie) and Joan Houghton.&#13;
The collection shows Lamorna with well known public figures; of himself at work;  and many of his wife and children.&#13;
Included are snapshots of many of his friends at social events.&#13;
An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson &amp; Company. 1995.&#13;
These photographs were donated by Judith Kerr, widow of Adam, grandson of Lamorna Birch.</text>
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Home of John (Jack) Roberts family</text>
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                <text>"Wellwood House"  Selkirk&#13;
Home of John (Jack) Roberts family</text>
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                  <text>This collection comprises of the family photos of Carlene Edith Harry, who was born in Essex in 1937.&#13;
She was the only child of Edith Sarah Harry (nee Tuck, 1911-1974) and Charles Clifford Harry (known as Clifford, 1904-1997)&#13;
Carlene's father was born in Carnyorth and she was immensely proud of her Cornish heritage and keenly interested in all aspects of local history and culture.&#13;
Her working life was spent at the Bank of England. When she eventually moved back to Cornwall she first lived in Truro before finally returning to Pendeen, where she immersed herself in the local community, being an active member of her church, the W.I. and several local history groups.&#13;
Morrab Library holds the publications of the Penwith Local History Group: 'Growing Up in West Cornwall', 'West Cornwall in the Twentieth Century', and 'Homes and households in west Cornwall'. All of these include articles written by Carlene, taken from her father's memories of Carnyorth and other related material.&#13;
Her second cousin was Raymond Harry who, under the pseudonym Jack Penhale, wrote 'The Mine Under the Sea', based on his experience working at Levant Mine as a 14 year old during the 1st World war. He was there at the time of the Levant Mine Disaster.&#13;
On her death in August 2020, Carlene left generous bequests to 7 local charities, confirming again her love of Cornwall and West Penwith in particular.</text>
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                <text>"Willie Butters" 1913-1982</text>
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                <text>William John Butters, Master Baker, Boscaswell Downs, Pendeen.</text>
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                <text>Causewayhead, Penzance. "Stickyback" photo. From an album of six.&#13;
Each 4.5 x 3 cms.</text>
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                <text>Carlene Harry</text>
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