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                  <text>Cornwall</text>
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                <text>Castle An Dinas, Penzance</text>
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                <text>A hilltop building known locally as Roger's Tower, a Folly</text>
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                <text>Bowmaker's Bazaar, 22, The Terrace, Penzance</text>
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                <text>c. 1910</text>
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                  <text>Blue-black photo album belonging to JM Bellringer containing photographs of Cornwall and the Isles of Scilly, dated 1895-1896.&#13;
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                <text>Castle at St Michael's Mount</text>
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                <text>1895-96</text>
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                <text>St Michael's Mount</text>
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                <text>The castle at St Michael's Mount from the north. Image is labelled "HCW76"</text>
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                  <text>Angove Collection</text>
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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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          <name>Building Name</name>
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          <name>Original Format</name>
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              <text>photo</text>
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            <name>Identifier</name>
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                <text>BRIDG 8.006</text>
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            <description>A name given to the resource</description>
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                <text>Castle Engine Approaching the Royal Albert Bridge </text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Anno</text>
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                <text>Saltash</text>
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                <text>Approaching the Royal Albert Bridge in steam days. Steam train visible.</text>
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                <text>Angove</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>R.C. Riley</text>
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            <name>Format</name>
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            <name>Date</name>
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                <text>1950</text>
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                  <text>Cornwall</text>
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          <name>Item Location</name>
          <description>How to find the item (e.g. cabinet name or number, shelf number, drawer name or number)</description>
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              <text>D3</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Castle Horneck Avenue, near Penzance</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Scape</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>General View. With a hand written message in ink to the reverse of the card to a recipient in Camborne</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="111970">
                <text>F. Frith &amp; Co. Ltd., Reigate</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1918-08-08 postmark</text>
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                <text>Postcard</text>
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            <description>The nature or genre of the resource</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>SCAPE.PC.100</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Penzance</text>
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          <name>Period Costume</name>
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                <text>Castle Loco with Cornish Riviera GWR Stock</text>
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            <description>The topic of the resource</description>
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                <text>Train Steam</text>
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                <text>1940</text>
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            <name>Source</name>
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                <text>Angove</text>
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              <description>A name given to the resource</description>
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              <description>An account of the resource</description>
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                  <text>Photographs of items from the Morrab Library's Dawson Napoleonic Collection</text>
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                <text>DAWSON/9/49 C</text>
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            <description>A name given to the resource</description>
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                <text>Castle of St. Cloud</text>
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                <text>6th roll, n11</text>
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                  <text>Photographs  which have come from multiple sources. They include a huge variety of photos of subjects which appear elsewhere. </text>
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                <text>Castle Trevean Point Headland.</text>
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                <text>The rocky coast at Castle Trevean Point, Lands End, looking across to Porthcurno cove, (faint)</text>
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                <text>Penwith, Cornwall</text>
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                <text>Overview.&#13;
With a hand written message in pencil to the reverse of the postcard to a recipient in Jack Lane, Newlyn</text>
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                <text>Land's End</text>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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                <text>Castle-an-Dinas Quarry nr Penzance  1970</text>
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&#13;
When the Castleford was lost amongst the Western Rocks in 1887, £12.11s went to St Agnes for the saving and succour of eighteen cattlemen. &#13;
&#13;
Description from Royal Maritime Museum Greenwich Online Archive AND Richard Larn and Clive Carter, Cornish Shipwrecks: Isles of Scilly (Newton Abbot: David &amp; Charles, 1971), p.27. </text>
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&#13;
When the Castleford was lost amongst the Western Rocks in 1887, £12.11s went to St Agnes for the saving and succour of eighteen cattlemen. &#13;
&#13;
Description from Royal Maritime Museum Greenwich Online Archive AND Richard Larn and Clive Carter, Cornish Shipwrecks: Isles of Scilly (Newton Abbot: David &amp; Charles, 1971), p.27. </text>
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Barbara, who was deaf,  was born in Penzance  on 18th February  1936 to Marjorie and Wilfred Beckerleg.   She attended St. Gertrude's School.  Her mother raised her after her father left.&#13;
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Barbara married David Thomas and had a son.  She died on 16th May 1995 at St. Julia's Hospice, Hayle.</text>
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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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                <text>1980</text>
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                <text>Photograph of a cathedral, identified, in pencil,  at the bottom left hand corner of the page as Gloucester.  The no. 592 is in the bottom right hand corner of the photograph.</text>
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                <text>Cathedrals colection of prints  by FRITH. </text>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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                <text>The Juan Ferrer of Valencia was a handsome, well-equipped motor coaster of nearly 700 tons, thrashing her way up towards Land's end on her usual run from her home port of Liverpool. &#13;
&#13;
Owned by Frederick Ferrer of Valencia, the Juan Ferrer was only three years old and had been built in her home port of AST Neptune. Her cargo was several thousand bundles of staves, large sheets of thick plywood, and sporting shotguns. &#13;
&#13;
The weather was bad: a strong damp south-west wind had brought thick drizzle and occasional fierce rainstorms in from the Atlantic, and a heavy ground swell broke beneath the Lamorna Cliffs. &#13;
&#13;
Steadily the Juan Ferrer rolled on through the wind and rain: at 2:30 am the light of another vessel astern suddenly vanished  as she ran into a thick bank of fog. Her young captain, 32-year-old Luis Ruiz, made for the radio room to contact Land's Land and establish his position. Minutes ticked by with only the crackle of static coming through, then came a cry from the deck, "Rocks Ahead!" which sent him racing topside. &#13;
&#13;
Right in front of the Juan Ferrer's bow towered 'great looming shapes' as the captain later described them and his shout for "Full Astern" was drowned as the coaster's elegantly flared bow smashed into a wall of granite below Carn Boscawen. Deck Cargo broke lose under the impact and, calling for all hands, the captain ran back to the radio room. &#13;
&#13;
At 3 am, Land's End radio picked up 'Juan Ferrer. Am ashore vicinity of Mount's Bay.' It was the only signal Captain Ruiz could send out before the sea put the generators out of action.&#13;
&#13;
Jose Sevillano, a 21-year-old sailor who had been hurled from his bunk by the sudden shock, reached the deck to find the ship already heeling over into the surf. &#13;
&#13;
Benito Nuncy, another young seaman, joined in trying to launch the lifeboats which were carried on each side of the funnel, abaft the bridge. One boat was against the rocks, so the Spaniards turned to the other. After a struggle in the wind and darkness they lowered it,  but a heavy sea smashed it against the coaster's side and it was swept away. There was one other boat, a small dinghy carried in the bows, but there was no hope of reaching it over the jumbled chaos of wha had once been a neatly-stacked deck cargo.&#13;
&#13;
The Juan Ferrer listed until her decks were almost vertical, but the rocks were only twelve feet away and Benito Nuncy jumped overboard. He was dashed on to the rocks but managed to crawl up beyond reached of the waves: soon Jose Sevillano, Baldomero Garcia, the 19-year-old bosun and Jose Oijnaga, the 20 year-old chief engineer, also leapt overboard. Garcia vanished at once, even though he wore a life jacket like the others, and Oijnaga was swept away as he tried to get hold on the slippery granite. Jose Sevillano alone scrambled up to join Benito Nuncy on Carn Boscawen. &#13;
&#13;
Fifteen minutes later the gallery boy, Jose Alonso, got ashore half-naked, and the three huddled among the boulders to shelter for the wind and driving rain. They stayed there in hope that more of their shipmates had survived, although the Juan Ferrer was barely visible in the surf below.&#13;
&#13;
Captain Ruiz stayed with his ship until the last possible moment, when, although a non-swimmer, he leapt off the stern as the coaster rolled over beneath him. The suction dragged him down and when he surfaced it was to hear the cries of the crew around him, but they soon faded and he was left alone in the rough seas. Supported by a bundle of wooden staves from the cargo, he trod water and drifted back and forth with the current. The first streaks of dawn gave him hope, and as he rose on a wave crest he could just make out the distant shape of the Penlee lifeboat. He tried to shout and strike out towards her but his limbs were numb. Fortunately, his feeble cries were heard by two brothers, members of the Treen LSA company (another form of coastguard) who, along with every other rescue service had been searching for the Juan Ferrer since her distress call at three o'clock. The brothers signalled to the lifeboat and it closed in, hands reached down and Captain Ruiz was pulled from the sea in the last stages of exhaustion. He had been in the water for nearly four hours.&#13;
&#13;
The three survivors on shore had stayed near the wreck for several hours before they struck off inland across the fields, and they were met by a rescue part at seven o'clock as they wandered up a farm lane. They were hurried to the warm hospitality of a nearby farm, whilst the coastguards, LSA companies, an armada of rescue ships and a naval helicopter converged on Carn Boscawen. The Juan Ferrer lay submerged, nothing visible except the tip of her bows, rocking gently up and down with the waves swirling back and forth across the white letters of her name. &#13;
&#13;
Eleven of her crew had been drowned; nearly all of them young men in their early twenties. Only two were over thirty-two, and some, like the bosom, were hardly out of their teens. &#13;
&#13;
Months after the wreck, the cargo was found strewed over the shores form Lands End to Marazion. The goods were particularly useful for local people, who used them in a variety of ingenious ways. &#13;
&#13;
Description from Richard Larn and Clive Carter, Cornish Shipwrecks: The South Coast (Newton Abbot: David &amp; Charles, 1971), p.215-218.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Cattle in Field</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Bull or steer with heifer in slooping tree lined rough pasture field with metal fence. &#13;
&#13;
Probably North or South Devon.</text>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="170099">
                <text>A E Julian</text>
              </elementText>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="170100">
                <text>St Ives Archive</text>
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            </elementTextContainer>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="170101">
                <text>Morrab Library</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="170102">
                <text>Morrab Library</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="170103">
                <text>Other Glass Negative</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="170104">
                <text>AEJ.103</text>
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    <tagContainer>
      <tag tagId="480">
        <name>agriculture</name>
      </tag>
      <tag tagId="2438">
        <name>Working life</name>
      </tag>
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      <file fileId="16973">
        <src>https://photoarchive.morrablibrary.org.uk/files/original/Armstrong/20883/ARMS_LA1_071.tif</src>
        <authentication>afcc7d8680d13e9d4dc0693fef5486f2</authentication>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Armstrong</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="180568">
                  <text>Two family photograph albums related to the Armstrong family.&#13;
The larger album is embossed with the initials E.E.A..  The smaller album has a dedication on the first page which reads "Agnes from E.A.A. 1883".  This album has an embossed spine and is fastened with a metal clasp.&#13;
"E.A.A"  Edmund Archibald Armstrong (1859-1925) was the youngest son of the Rev. John Armstrong (1810-1862) of Dinder, Somerset, and Mary Ann Scobell (1817-1900) who inherited Nancalverne, Penzance in 1883.&#13;
"Agnes" Agnes Margaretta Armstrong (1861-1914), youngest sister of Edmund.&#13;
&#13;
Some of the painted illustrations on the small album pages are signed with a very small cipher EA. </text>
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            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
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                <elementText elementTextId="180569">
                  <text>Morrab Library</text>
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              </elementTextContainer>
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            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="180570">
                  <text>Morrab Library</text>
                </elementText>
              </elementTextContainer>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <name>Dublin Core</name>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="182578">
                <text>Cattle in the snow</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>Cattle standing among trees in the  snow</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="182580">
                <text>Dr Melissa Hardie</text>
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          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="182581">
                <text>Morrab Library</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="182582">
                <text>Morrab Library</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="182583">
                <text>Print</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="182584">
                <text>ARMS LA1 071</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
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