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                <text>View across the valley towards the work site, men working on the shuttering in the middle section. The image is annotated "View from left bank looking upstream 30-9-60"&#13;
It is stamped on the reverse "Richards Bros, Penzance"</text>
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                <text>1960-09-30</text>
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                <text>Drift</text>
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                <text>Richards Brothers</text>
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                  <text>These items were donated to The Morrab Library Photo Archive by Newlyn Archive, as they concentrate on records specific to Newlyn.   There is a variety of subjects ranging from images of old Penzance, to various theatricals, including at The Minack. &#13;
&#13;
Photographs NA.019 to NA.043 are all annotated 'Porthcurno Minnack 1999' , and relate to a performance of The Trojan Women.   A list of cast members is shown in NA.019a, attached to NA.019&#13;
&#13;
Many items are referenced as coming from WC Archive, which may refer to West Cornwall Archive.</text>
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            <description>A name given to the resource</description>
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                <text>St Clare Swimming pool building</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Richards Brothers</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library&#13;
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Identifier</name>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Penzance</text>
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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <name>Building Name</name>
          <description>Name of building or structure.</description>
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          <name>Street Name</name>
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          <name>Period Costume</name>
          <description>Does the photograph contain a notable example of period costume?</description>
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              <text>N</text>
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          <name>Original Format</name>
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              <text>photo</text>
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          <name>Subject Era</name>
          <description>e.g. "Victorian" or a later photo related to an earlier date. For example a 1920 photo of a ship wrecked in 1914 - enter 1914 into this field.</description>
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              <text>1962</text>
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          <name>Damaged?</name>
          <description>Is the item damaged? Select Yes or No then describe in the "Condition" field.</description>
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              <text>Yes</text>
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          <name>Condition</name>
          <description>Record observations about the condition or conservation of the item, e.g. any damage (e.g. cracked, broken or chipped glass negative).</description>
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              <text>Some staining to emulsion - upper left quadrant; crease to upper right corner</text>
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          <name>Business Name</name>
          <description>Name of establishment depicted in the image.</description>
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              <text>Queens Hotel, Penzance</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>ACTS 9.002</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Damage on Penzance promenade after storm of March 1962.</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Storm</text>
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              <elementText elementTextId="59084">
                <text>Spectators Hotel Houses Band Stand</text>
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                <text>Anno MPlay See RCG 27/33</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1962</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Penzance</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Damage on Penzance promenade after Ash Wednesday storm of March 1962.</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Angove</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Richards Brothers, 2 Queen Street, Penzance</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Morrab Library</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="101415">
                <text>Morrab Library</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Print</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Photograph</text>
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  <item itemId="20288" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1">
                  <text>Miscellaneous Photos</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
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                  <text>Photographs  which have come from multiple sources. They include a huge variety of photos of subjects which appear elsewhere. </text>
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            </element>
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        </elementSet>
      </elementSetContainer>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>St. Ives Lifeboat 'John and Sarah Eliza Stych</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>In the early hours of 23 January 1939 there was a Force 10 storm blowing with gusts of wind at 100 miles per hour (160 km/h). A large steamship was reported to be in trouble off Cape Cornwall but the Sennen Cove lifeboat could not be launched due to the low state of the tide. At 3:00 AM the John and Sarah Eliza Stych was launched into the dark.[5] Along with Cocking were seven more men: John Cocking (his son), Matthew Barber, William Barber and John Thomas who had all been in the Caroline Parsons wreck, along with Edgar Bassett, Richard Stevens, and William Freeman.[4] The boat rounded The Island where it met the full force of the storm as it headed westwards. Off Clodgy Point it capsized but did what it was designed to do and righted itself. Five of the crew were in the sea; only Freeman made it back into the boat. The engine was restarted but the propeller was fouled and they drifted back towards The Island where they dropped anchor but the rope parted and it capsized and righted a second time; only three survived this time. The boat now drifted north-eastwards across St Ives Bay towards Godrevy Point where it capsized for a third time. When it righted only Freeman was left. He scrambled ashore when the boat was smashed on the rocks.[5] All eight crew members were awarded bronze medals.[6] Since then two more Tommy Cockings, the drowned coxswain's son and grandson, have served as coxswain on the St Ives Lifeboat.[7] Source Wikipedia</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Richards Brothers, Penzance</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Malcolm Waters</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
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                <text>Morrab Library</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1939-1-23</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Godrevy</text>
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                <text>© Morrab Library</text>
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                <text>Penzance</text>
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                <text>Penzance Pirates seven-a-side rugby team.</text>
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                <text>Richards, Penzance.</text>
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            <description>Information about rights held in and over the resource</description>
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              <description>An account of the resource</description>
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                  <text>Early photos of Penzance people "the great and the good". The pho of Princess Alexandra is part of a lager photo by Robert Preston. We are therefore attributing all the photos to Robert Preston (penzance photographer), b 1838, d 1933. His earliest photographs date from 1860</text>
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                  <text>Given by Mrs Caroline Jackson who was given the album by her father, Geoffrey Harvey (1907-1993) of Penzance, Solicitor. She believes it was given to her father by a client. </text>
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            <description>A name given to the resource</description>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Rober Preston</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>GHA35E</text>
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                  <text>The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century.&#13;
It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those.&#13;
Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian.&#13;
All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
This collection is a very interesting record of the work of the Victorian photographer.</text>
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          <name>Physical Dimensions</name>
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            <description>A name given to the resource</description>
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                <text>Elderly Gent</text>
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            <description>An account of the resource</description>
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                <text>Elderly Gent</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Robert H Preston&#13;
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            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>PC 3</text>
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        <name>Peop</name>
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              <description>An account of the resource</description>
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                  <text>The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century.&#13;
It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those.&#13;
Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian.&#13;
All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
This collection is a very interesting record of the work of the Victorian photographer.</text>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
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