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                  <text>The surname comes from the farm of Trevaskis standing close by Gwinear parish.&#13;
W.J. Trevaskis was in a geographically-constrained way a successful local photographer. Evidence exists of a carte de visit taken in 1863 although he was first listed as a photographer in 1883. The business was run from the Leedstown house now called 'An Gernyk'. From 1889 Trevaskis had a branch studio at Nettles Hill in Helston. Carte de visit imprints of the later 1870s or the 1880s announce that he was at Leedstown on Mondays, Thursdays, and Saturdays; Porthleven, Tuesdays and Wednesdays; Breage on Fridays.&#13;
Business continued into the early years of the 20th Century - it is not known when Mr Trevaskis died. The business was revived by his daughter Miss Polly Trevaskis who was listed as a photographer at Leedstown up to the start of the last war.</text>
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                <text>Image of Woman holding book.</text>
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                <text>Image of Woman holding book. To the side is a partial image of a man's face, on the left is the partial image of a smartly dressed young man. The centre of the image contains an ornate chair .</text>
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                <text>Quarter Plate Glass Negative</text>
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                  <text>The surname comes from the farm of Trevaskis standing close by Gwinear parish.&#13;
W.J. Trevaskis was in a geographically-constrained way a successful local photographer. Evidence exists of a carte de visit taken in 1863 although he was first listed as a photographer in 1883. The business was run from the Leedstown house now called 'An Gernyk'. From 1889 Trevaskis had a branch studio at Nettles Hill in Helston. Carte de visit imprints of the later 1870s or the 1880s announce that he was at Leedstown on Mondays, Thursdays, and Saturdays; Porthleven, Tuesdays and Wednesdays; Breage on Fridays.&#13;
Business continued into the early years of the 20th Century - it is not known when Mr Trevaskis died. The business was revived by his daughter Miss Polly Trevaskis who was listed as a photographer at Leedstown up to the start of the last war.</text>
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              <text>60% of the image is obscured due to age related damage.</text>
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                <text>Image of Woman with young boy holding the collar of a dog.&#13;
Partially obscured to the left is a man standing. A large house is in the background.</text>
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                <text>Image of Woman with young boy holding the collar of a dog.&#13;
Partially obscured to the left is a man standing. A large house is in the background.</text>
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                <text>Morrab Library</text>
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                <text>Quarter Plate Glass Negative</text>
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                  <text>Serena Wadham Archive</text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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                  <text>Serena Wadham</text>
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              <text>9¼x6 inches</text>
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              <text>Serena Wadham&#13;
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                <text>Image taken at Tammo de Jongh's 'Fools Paradise Party' at the Collingwood's 'Hut'.</text>
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            <name>Creator</name>
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                <text>Serena Wadham&#13;
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                <text>1970-1971</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Silver Bromide Print</text>
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            <name>Type</name>
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                <text>Photograph</text>
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            <name>Identifier</name>
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                <text>camberley</text>
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                <text>&lt;a href="tammo%20de%20jongh%20biography"&gt;tammo de jongh&lt;br /&gt;&lt;/a&gt;&lt;a href="https://en.wikipedia.org/wiki/Lawrance_Collingwood"&gt;laurance collingwood&lt;/a&gt;</text>
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                  <text>A small collection of photos from the family of Samuel John 'Lamorna' Birch. 1869-1955, the founder of the colony of artists and writers  who lived and worked in and around the Lamorna Valley near Penzance, Cornwall. &#13;
He was born near Liverpool in 1869 and adopted the additional name of Lamorna after 1896.&#13;
He was married to Houghton Emily Vivian and they had two daughters, Elizabeth Lamorna (known as Mornie) and Joan Houghton.&#13;
The collection shows Lamorna with well known public figures; of himself at work;  and many of his wife and children.&#13;
Included are snapshots of many of his friends at social events.&#13;
An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson &amp; Company. 1995.&#13;
These photographs were donated by Judith Kerr, widow of Adam, grandson of Lamorna Birch.</text>
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                <text>Morrab Library</text>
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                <text>Print</text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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              <text>Serena Wadham&#13;
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                <text>Immigrant mother and children, Liverpool Road, London</text>
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            <description>An account of the resource</description>
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                <text>Typed label taped to the back of the print:&#13;
'L.  This coloured woman has 3 children, 1 fair.  She is standing in front of her home in the Liverpool Road.'</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Serena Wadham&#13;
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>The nature or genre of the resource</description>
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            <name>Identifier</name>
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              <description>The topic of the resource</description>
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              <description>An account of the resource</description>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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              <description>A related resource from which the described resource is derived</description>
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                  <text>Pasy donation. Date unknown</text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
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              <description>Information about rights held in and over the resource</description>
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              <description>The file format, physical medium, or dimensions of the resource</description>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>SPA (Small Photo Album)</text>
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      <name>Still Image</name>
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            <description>A name given to the resource</description>
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                <text>Imperial Hotel Torquay and &#13;
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Two views of Torquay</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="163062">
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="163064">
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="163065">
                <text>SPA 022</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="94467">
                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <element elementId="53">
          <name>Building Name</name>
          <description>Name of building or structure.</description>
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          <name>Period Costume</name>
          <description>Does the photograph contain a notable example of period costume?</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>BUILD 7HF 226</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Imposing Front Madron Workhouse , now derelict. Cars dumped.  1965</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="69893">
                <text>Public Building</text>
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            <name>Date</name>
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            <elementTextContainer>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
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                <text>Richards</text>
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            <name>Publisher</name>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="131006">
                <text>Morrab Library</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="131007">
                <text>Print</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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          <name>Period Costume</name>
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              <text>N</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>BUILD 7HF 224</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>Imposing Front of Madron Workhouse, amost derelict</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="69879">
                <text>Public Building</text>
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          <element elementId="40">
            <name>Date</name>
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            <elementTextContainer>
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                <text>1965</text>
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          <element elementId="38">
            <name>Coverage</name>
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                <text>Madron</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="139504">
                <text>Morrab Library</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="139505">
                <text>Print</text>
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                  <text>The photo Archive has acquired a large number of glass negatives and lantern slides from various donations. The topics range from those with local interest to others with interesting topics such as sets of lantern slides of botanical specimens and a wonderful collection of slides of Tresco.</text>
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              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
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              <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>MG.065</text>
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            <description>A name given to the resource</description>
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                <text>Imprint of the seal of the mayor of Merthyr Tidfyl</text>
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                <text>Morrab library</text>
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                <text>Morrab library</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="166578">
                <text>Quarter Plate Glass Negative</text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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              <name>Identifier</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>In a dark room a man lies down while a woman sits and sews.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>A typed caption reads:&#13;
'The woman essentially serves the man in exchange for care and protection'  Sheila Rowbotham&#13;
On the back of the print written by Serena Wadham:&#13;
'Ted Child and Wendy'</text>
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                <text>Serena Wadham&#13;
</text>
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            <name>Date</name>
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                <text>1970-1980</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Silver Bromide Print</text>
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            <name>Type</name>
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                <text>Photograph</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>SWA.369.C</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>islington, London</text>
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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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          <name>Individual Names</name>
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              <text>Henry Rothery, W.H. Allan, E. Pye, J. Maloney, L. Francis, E.W.R. Owen, R. Lloyd</text>
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          <name>Period Costume</name>
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          <description>Name of building or structure.</description>
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              <text>St Levan Church</text>
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            <description>A name given to the resource</description>
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                <text>In Memoriam crew of Khyber wrecked 1905 Porthloe</text>
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            <description>The topic of the resource</description>
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                <text>Gravestones</text>
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                <text>St Levan</text>
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            <description>An account of the resource</description>
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                <text>The grave of the 23 men lost from the Liverpool ship 'Khyber' in 1905. The bronze memorial plate is located in St Levan church yard, underneath the tower on the left of the main door.&#13;
&#13;
The plate reads:&#13;
&#13;
In Memoriam&#13;
Captain Henry Rotary and crew of the Liverpool ship "KHYBER" wrecked at Porthloe Cove during a great storm on the 15th March 1905. Of 26 men all told 23 were lost some of whose remains were washed ashore and here interred.&#13;
&#13;
Mates W.A. Allan and E. Pye&#13;
Carpenter J. Maloney&#13;
Sailmaker L.F. Francis&#13;
Apprentices E.W.R. Owens and R. Lloyd&#13;
and 16 seamen</text>
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                <text>Morrab Library</text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="124710">
                <text>Morrab Library</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="124711">
                <text>Print</text>
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                  <text>Cornwall</text>
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          <name>Item Location</name>
          <description>How to find the item (e.g. cabinet name or number, shelf number, drawer name or number)</description>
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              <text>D3</text>
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                <text>In the Digey, St. Ives</text>
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            <description>The topic of the resource</description>
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            <description>An account of the resource</description>
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                <text>Overview with Fisherfolk residents</text>
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                <text>Valentine's Series</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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              <text>D3</text>
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              <text>Abbey Gardens</text>
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                <text>In Tresco Abbey Gardens, Isles of Scilly</text>
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            <name>Date</name>
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