191 20 19123 http://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/20126/SWA.378.tif 3386bceaf52897d26b833360e16b5a9d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in A4-format box files, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in large archival boxes, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an archival portfolio. Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology. Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 9.5 x 7 inches Individual Names Names of individuals identified in the photo. Pat Arrowmith Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pat Arrowsmith, peace campaigner, watching a performance at an event by the Prodigal Daughters at the Women's Free Alliance, 11 June 1976 Description An account of the resource Pat Arrowsmith, peace campaigner, watching a performance at an event by the Prodigal Daughters at the Women's Free Alliance, 11 June 1976 Creator An entity primarily responsible for making the resource Serena Wadham Date A point or period of time associated with an event in the lifecycle of the resource 1976 Format The file format, physical medium, or dimensions of the resource Silver Bromide Print Identifier An unambiguous reference to the resource within a given context SWA.378 http://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/20125/SWA.377.tif 9e67b66d741450afbbc13efbf01d588f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in A4-format box files, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in large archival boxes, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an archival portfolio. Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology. Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 9.5 x 7 inches Individual Names Names of individuals identified in the photo. Esme Langley and Unidentified Woman Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Close up of Esme Langley, 1964 Description An account of the resource Close up of Esme Langley and an unidentified woman, looking at something closely Creator An entity primarily responsible for making the resource Serena Wadham Date A point or period of time associated with an event in the lifecycle of the resource 1964 Format The file format, physical medium, or dimensions of the resource Silver Bromide Print Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context SWA.377 http://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/20124/SWA.376.tif 306d60a2fab7db26fb5aedf3d23a102a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in A4-format box files, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in large archival boxes, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an archival portfolio. Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology. Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 9.5 x 7 inches Individual Names Names of individuals identified in the photo. Esme Langley Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait of Esme Langley, 1964 Description An account of the resource A candid portrait of Esme Langley possibly for publication in The Ladder Creator An entity primarily responsible for making the resource Serena Wadham Date A point or period of time associated with an event in the lifecycle of the resource 1964 Format The file format, physical medium, or dimensions of the resource Silver Bromide Print Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context SWA.376 http://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/20123/SWA.375.tif e51666f58912f24abf52e0067df25336 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in A4-format box files, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in large archival boxes, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an archival portfolio. Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology. Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 9.5 x 7 inches Individual Names Names of individuals identified in the photo. Cynthia M.B Reid, Juliet Switsus Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Intimate Portrait of Two Women, 1960s Description An account of the resource Intimate portrait of two women holding hands. The hands in focus and smiling faces blurred. Written on the back (not by Serena) "Passed for publication in The Ladder". Cynthia M.B. Reid, Juliet Switsus". There is a duplicate of this image (SWA.375ii) Creator An entity primarily responsible for making the resource Serena Wadham Date A point or period of time associated with an event in the lifecycle of the resource 1960-1970 Format The file format, physical medium, or dimensions of the resource Silver Bromide Print Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context SWA.375i http://photoarchive.morrablibrary.org.uk/files/original/Richards_Collection/20122/TRANS_30PG_093.tif 32c0517344588f37a54e603ec7165333 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Richards Collection Description An account of the resource The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource W Skewes truck crashed over Marazion sea wall Publisher An entity responsible for making the resource available Morrab library Date A point or period of time associated with an event in the lifecycle of the resource 1934 Rights Information about rights held in and over the resource Morrab library Format The file format, physical medium, or dimensions of the resource Postcard Glass Negative Identifier An unambiguous reference to the resource within a given context TRANS 30PG 093 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Marazion Description An account of the resource Bedford truck registration CRL 114. The door says W Skewes, Chiverton, Marazion Travel and transport http://photoarchive.morrablibrary.org.uk/files/original/Richards_Collection/20121/TRANS_30PG_092.tif eda8d22d8718d4ba4247f217093c9dcd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Richards Collection Description An account of the resource The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Burnt out old car in garage Description An account of the resource Possibly near Moushole. Registration number CGX 114 Publisher An entity responsible for making the resource available Morrab library Date A point or period of time associated with an event in the lifecycle of the resource 1934 Format The file format, physical medium, or dimensions of the resource Postcard Glass Negative Identifier An unambiguous reference to the resource within a given context TRANS 30PG 092 Travel and transport http://photoarchive.morrablibrary.org.uk/files/original/Richards_Collection/20120/TOWNSC_29PG_020.tif 818e79bf9c244792b10defee03d56126 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Richards Collection Description An account of the resource The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Damaged? Is the item damaged? Select Yes or No then describe in the "Condition" field. Yes Condition Record observations about the condition or conservation of the item, e.g. any damage (e.g. cracked, broken or chipped glass negative). some scratches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Aerial view of Newlyn harbour Description An account of the resource plane wing in foreground Publisher An entity responsible for making the resource available Morrab library Date A point or period of time associated with an event in the lifecycle of the resource 1938 Rights Information about rights held in and over the resource Morrab library Format The file format, physical medium, or dimensions of the resource Postcard Glass Negative Identifier An unambiguous reference to the resource within a given context TOWNSC 29PG 020 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Newlyn Seafaring and shipping http://photoarchive.morrablibrary.org.uk/files/original/Richards_Collection/20119/TOWNSC_29PG_019.tif 78f1bfe8d2819ead59253bd11b5cac77 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Richards Collection Description An account of the resource The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Aerial view Jubilee Pool and harbour Description An account of the resource part of plane wing in foreground Publisher An entity responsible for making the resource available Morrab library Date A point or period of time associated with an event in the lifecycle of the resource 1938 Rights Information about rights held in and over the resource Morrab library Format The file format, physical medium, or dimensions of the resource Postcard Glass Negative Identifier An unambiguous reference to the resource within a given context TOWNSC 29PG 019 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Penzance Seafaring and shipping http://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/20118/SWA.374.tif 26b30b2668bd5333a5fa4f51c4c1b8eb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in A4-format box files, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in large archival boxes, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an archival portfolio. Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology. Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 9.5 x 6.5 inches Individual Names Names of individuals identified in the photo. Cynthia M.B. Reid, Juliet Switsus Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Two Women with matching rings, kissing, 1960s Description An account of the resource Intimate portrait of two women kissing. They are holding hands and wear matching rings. Creator An entity primarily responsible for making the resource Serena Wadham Date A point or period of time associated with an event in the lifecycle of the resource 1960-1970 Format The file format, physical medium, or dimensions of the resource Silver Bromide Print Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context SWA.374 http://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/20117/SWA.373.tif a2b6bd9741450b9d19924ccd15b5d84a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in A4-format box files, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in large archival boxes, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an archival portfolio. Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology. Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 9.5 x 7.5 inches Individual Names Names of individuals identified in the photo. Cynthia M.B. Reid, Juliet Switsus Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Intimate Portrait of Two Women, 1960s Description An account of the resource Intimate portrait of two women holding hands. The hands in focus and smiling faces blurred. Written on the back (not by Serena) "Passed for publication in The Ladder". Cynthia M.B. Reid, Juliet Switsus" Creator An entity primarily responsible for making the resource Serena Wadham Date A point or period of time associated with an event in the lifecycle of the resource 1960-1970 Format The file format, physical medium, or dimensions of the resource Silver Bromide Print Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context SWA.373 http://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/20116/SWA.372.tif 83ec68ba96bf32dc2259b590454265d3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in A4-format box files, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in large archival boxes, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an archival portfolio. Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology. Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 7 x 9.5 inches Individual Names Names of individuals identified in the photo. Cynthia M.B. Reid Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Intimate Portrait of Two Women, 1960s Description An account of the resource Intimate portrait of two women holding hands. The hands in focus and smiling faces blurred. Written on the back (not by Serena) "Passed for publication in The Ladder". Cynthia M.B. Reid, Juliet Switsus" Creator An entity primarily responsible for making the resource Serena Wadham Date A point or period of time associated with an event in the lifecycle of the resource 1960-1970 Format The file format, physical medium, or dimensions of the resource Silver Bromide Print Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context SWA.372 http://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/20115/SWA.371.tif 1ff64fe37156ee36313127829e1a8120 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in A4-format box files, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in large archival boxes, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an archival portfolio. Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology. Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 9.5 x 7.5 inches Individual Names Names of individuals identified in the photo. Cynthia M.B. Reid and Juliet Switsus Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Intimate Portrait of Two Women, 1960s Description An account of the resource Intimate portrait of two women holding hands. The hands in focus and smiling faces blurred. Written on the back (not by Serena) "Passed for publication in The Ladder". Cynthia M.B. Reid, Juliet Switsus" Creator An entity primarily responsible for making the resource Serena Wadham Date A point or period of time associated with an event in the lifecycle of the resource 1960-1970 Format The file format, physical medium, or dimensions of the resource Silver Bromide Print Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context SWA.371 http://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/20114/SWA.370.tif 7cec7f490ccfcbae93ec99b39518ee64 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in A4-format box files, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in large archival boxes, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an archival portfolio. Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology. Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 7x8 inches Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource National Front rally Trafalgar Square 1970s Description An account of the resource Close up of a woman carrying a NF placard Creator An entity primarily responsible for making the resource Serena Wadham Date A point or period of time associated with an event in the lifecycle of the resource 1970-1975 Format The file format, physical medium, or dimensions of the resource Silver Bromide Print Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context SWA.370 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Trafalgar Square London http://photoarchive.morrablibrary.org.uk/files/original/Richards_Collection/20113/WRECKS_32HG_070.tif 3ef690d2f85318581c4771ad854bf730 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Richards Collection Description An account of the resource The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 165x120mm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Vierge Marie - Belgian trawler, wrecked on 13th January 1937. Identifier An unambiguous reference to the resource within a given context WRECKS 32HG 070 Description An account of the resource The Belgian Motor trawler, Vierge Marie of Ostend was a 200 ton vessel. She was on her way into Newlyn after developing engine trouble off Pendeen the previous afternoon, and there had been no warning of how close the weather had brought her to the Lamorna Cliffs until she struck on January 13th 1937. Captain Josef Lus radioed an 'SOS' but the ground swell was so bad that he had to give the order to abandon ship without waiting for rescue. As the dinghy was launched a wave overturned it: the captain and mate jumped into the sea, but engineer Hessene and deckhands Easton and Miel righted the dinghy and pulled clear, only to capsize on the point of being rescued by Penlee Lifeboat. The trawler's young cabin boy, Valentine Maartens, was missing, presumed swept overboard and drowned. The Vierge Marie rolled over to starboard a few hours after going ashore and within a day was jumbled mass of broken plating and fittings jammed beneath the cliffs at Tater Du. A farm labourer who lived near Carn Boscawen stepped from his cottage door shortly before dawn and was greeted by the thick, pungent reek of fuel oil wafting in from the sea. Buttoning his heavy waterproofs against the driving wind and rain, he picked his way across the fields and soon made out the lights of the Vierge Marie, ashore in a narrow cove just beyond Tater Du point. When he heard the shouts of the crew he wasted no time in getting to the farm where he worked, so that the news could be telephoned to Penzance. He then returned to the wreck with more men and ropes, only to see a small boat, manned by three men, capsize as the Penlee Lifeboat closed in to rescue them. They were buoyed up their lifejackets, but even so were in a bad way when they were hauled out. Artificial respiration was kept up on all three as the lifeboat sped back to Newlyn, but they died before they reached hospital. As the light grew, the men on the cliffs could see no sign of life as the trawler rolled and slewed with every wave that broke into the small cove. Unknown to them, the farm labourer's wife had been roused by a loud knocking an hour after her husband had left, and, thinking he had returned, she opened the door to be confronted by a drenched and battered stranger. In fluent English, he told her he was Captain Josef Lus and that his ship had been wrecked nearby. While the women heated kettles and fetched blankets, he staggered off into the fog again, to return ten minutes later supporting his chief mat, Gustave Vanlee, who's legs were so badly cut that he could hardly stand. Description from Richard Larn and Clive Carter, Cornish Shipwrecks: The South Coast (Newton Abbot: David & Charles, 1971), p. 210-211. Source A related resource from which the described resource is derived Richards Date A point or period of time associated with an event in the lifecycle of the resource 1937-01-11 Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Half Plate Glass Negative Type The nature or genre of the resource Photograph Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Lamorna Fishing (commercial) Working life Wrecks http://photoarchive.morrablibrary.org.uk/files/original/Richards_Collection/20112/WRECKS_32HG_069.tif d4b12aeb769d2bd04837224210874eb8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Richards Collection Description An account of the resource The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Damaged? Is the item damaged? Select Yes or No then describe in the "Condition" field. Yes Condition Record observations about the condition or conservation of the item, e.g. any damage (e.g. cracked, broken or chipped glass negative). Severely damage plate: bottom left and bottom right missing. Physical Dimensions The actual physical size of the original image 150x120mm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Vierge Marie, Belgian trawler, Wrecked on January 13th 1937. Identifier An unambiguous reference to the resource within a given context WRECKS 32HG 069 Description An account of the resource The Belgian Motor trawler, Vierge Marie of Ostend was a 200 ton vessel. She was on her way into Newlyn after developing engine trouble off Pendeen the previous afternoon, and there had been no warning of how close the weather had brought her to the Lamorna Cliffs until she struck on January 13th 1937. Captain Josef Lus radioed an 'SOS' but the ground swell was so bad that he had to give the order to abandon ship without waiting for rescue. As the dinghy was launched a wave overturned it: the captain and mate jumped into the sea, but engineer Hessene and deckhands Easton and Miel righted the dinghy and pulled clear, only to capsize on the point of being rescued by Penlee Lifeboat. The trawler's young cabin boy, Valentine Maartens, was missing, presumed swept overboard and drowned. The Vierge Marie rolled over to starboard a few hours after going ashore and within a day was jumbled mass of broken plating and fittings jammed beneath the cliffs at Tater Du. A farm labourer who lived near Carn Boscawen stepped from his cottage door shortly before dawn and was greeted by the thick, pungent reek of fuel oil wafting in from the sea. Buttoning his heavy waterproofs against the driving wind and rain, he picked his way across the fields and soon made out the lights of the Vierge Marie, ashore in a narrow cove just beyond Tater Du point. When he heard the shouts of the crew he wasted no time in getting to the farm where he worked, so that the news could be telephoned to Penzance. He then returned to the wreck with more men and ropes, only to see a small boat, manned by three men, capsize as the Penlee Lifeboat closed in to rescue them. They were buoyed up their lifejackets, but even so were in a bad way when they were hauled out. Artificial respiration was kept up on all three as the lifeboat sped back to Newlyn, but they died before they reached hospital. As the light grew, the men on the cliffs could see no sign of life as the trawler rolled and slewed with every wave that broke into the small cove. Unknown to them, the farm labourer's wife had been roused by a loud knocking an hour after her husband had left, and, thinking he had returned, she opened the door to be confronted by a drenched and battered stranger. In fluent English, he told her he was Captain Josef Lus and that his ship had been wrecked nearby. While the women heated kettles and fetched blankets, he staggered off into the fog again, to return ten minutes later supporting his chief mat, Gustave Vanlee, who's legs were so badly cut that he could hardly stand. Description from Richard Larn and Clive Carter, Cornish Shipwrecks: The South Coast (Newton Abbot: David & Charles, 1971), p. 210-211. Source A related resource from which the described resource is derived Richards Date A point or period of time associated with an event in the lifecycle of the resource 1937-01-11 Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Half Plate Glass Negative Type The nature or genre of the resource Photograph Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Lamorna, Penzance Fishing (commercial) Working life Wrecks http://photoarchive.morrablibrary.org.uk/files/original/Richards_Collection/20111/WRECKS_32HG_068.tif 496d11a0d435f3a93fa1a4cd064c59b2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Richards Collection Description An account of the resource The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Damaged? Is the item damaged? Select Yes or No then describe in the "Condition" field. Yes Condition Record observations about the condition or conservation of the item, e.g. any damage (e.g. cracked, broken or chipped glass negative). Minor chipped edges in the glass plate Physical Dimensions The actual physical size of the original image 160x120mm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Simonne-Marcelle, Belgian trawler Identifier An unambiguous reference to the resource within a given context WRECKS 32HG 068 Description An account of the resource Another view from the cliff of the Belgian trawler ashore after thick fog at Gurnard's Head, Zennor, near St Ives. All the crew were saved except for the fifteen year old cabin boy. See also WRECKS 32HG 066. Source A related resource from which the described resource is derived Richards Date A point or period of time associated with an event in the lifecycle of the resource 1948-07-25 Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Half Plate Glass Negative Type The nature or genre of the resource Photograph Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant St Ives Fishing (commercial) Working life Wrecks http://photoarchive.morrablibrary.org.uk/files/original/Richards_Collection/20110/WRECKS_32HG_067.tif f24c4fc340f3f78096f56dedbf29615a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Richards Collection Description An account of the resource The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Damaged? Is the item damaged? Select Yes or No then describe in the "Condition" field. Yes Condition Record observations about the condition or conservation of the item, e.g. any damage (e.g. cracked, broken or chipped glass negative). Upper left-hand corner of plate missing and there are scratches in the emulsion. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Simonne-Marcelle, Belgian trawler Identifier An unambiguous reference to the resource within a given context WRECKS 32HG 067 Description An account of the resource Another view from the cliff of the Belgian trawler ashore after thick fog at Gurnard's Head, Zennor, near St Ives. All the crew were saved except for the fifteen year old cabin boy. See also WRECKS 32HG 066. Source A related resource from which the described resource is derived Richards Date A point or period of time associated with an event in the lifecycle of the resource 1948-07-25 Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Half Plate Glass Negative Type The nature or genre of the resource Photograph Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant St Ives Fishing (commercial) Working life Wrecks http://photoarchive.morrablibrary.org.uk/files/original/Richards_Collection/20109/WRECKS_32HG_066.tif 600bb61b4334e37762237d41ad79deb3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Richards Collection Description An account of the resource The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Simonne-Marcelle, Belgian trawler Identifier An unambiguous reference to the resource within a given context WRECKS 32HG 066 Description An account of the resource View from the cliff of the Belgian trawler ashore after thick fog at Gurnard's Head, Zennor, near St Ives. All the crew were saved except for the fifteen year old cabin boy. Source A related resource from which the described resource is derived Richards Date A point or period of time associated with an event in the lifecycle of the resource 1948-07-25 Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Half Plate Glass Negative Type The nature or genre of the resource Photograph Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant St Ives Fishing (commercial) Working life Wrecks http://photoarchive.morrablibrary.org.uk/files/original/Richards_Collection/20108/WRECKS_32HG_065.tif 0b72e9c79161126cf825ab343dc4cf7f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Richards Collection Description An account of the resource The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 165x120mm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sarah Elizabeth Stych Padstow Lifeboat on the rocks at Godrevy Point Identifier An unambiguous reference to the resource within a given context WRECKS 32HG 065 Description An account of the resource See also WRECKS 32HG 061. The lifeboat from St Ives (on loan from Padstow) attempted to rescue the crew of the SS Wilton but was grounded at Godrevy Point. There was only one survivor, William Freeman of the lifeboat. Altogether 36 lives were lost. For additional information see: https://stiveslocal.uk/lifeboat-anniversary-0120/ Source A related resource from which the described resource is derived Richards Date A point or period of time associated with an event in the lifecycle of the resource 1939-01-23 Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Half Plate Glass Negative Type The nature or genre of the resource Photograph Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Halle Seafaring and shipping Working life Wrecks http://photoarchive.morrablibrary.org.uk/files/original/Richards_Collection/20107/WRECKS_32HG_064.tif 8ce7fce8b605a5dae830cbaf78538c74 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Richards Collection Description An account of the resource The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 165x120mm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sarah Elizabeth Stych Padstow Lifeboat on the rocks at Godrevy Point Identifier An unambiguous reference to the resource within a given context WRECKS 32HG 064 Description An account of the resource See also WRECKS 32HG 061. The lifeboat from St Ives (on loan from Padstow) attempted to rescue the crew of the SS Wilton but was grounded at Godrevy Point. There was only one survivor, William Freeman of the lifeboat. Altogether 36 lives were lost. For additional information see: https://stiveslocal.uk/lifeboat-anniversary-0120/ Source A related resource from which the described resource is derived Richards Date A point or period of time associated with an event in the lifecycle of the resource 1939-01-23 Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Half Plate Glass Negative Type The nature or genre of the resource Photograph Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Halle Seafaring and shipping Working life Wrecks