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                  <text>Serena Wadham Archive</text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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              <text>Serena Wadham&#13;
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                <text>Collingwood family playing 'Fernocky'.Andrew Collingwood 2nd from left.</text>
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                <text>Written on the back by Serena Wadham:&#13;
'"Fernocky" - a game played by the Collingwood family since 1939 when Andrew invented it.  Rules are slightly similar to those of hockey'&#13;
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                <text>1970-1971</text>
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                <text>camberley</text>
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              <text>Conservation Box, Drawer D3</text>
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                <text>Colonel Scoble.    </text>
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                <text>Colour post-card  Cornish Folk Singer Tell Mann  Mousehole Harbour in the background. c1960.. </text>
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                <text>© Morrab Library</text>
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              <text>CABINET B&#13;
Collins wreck file REF W 0131</text>
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                <text>Coloured photo of 'Nefeli' ex 'Osborne Queen' wreck</text>
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                <text>First and last House in England, Land's End</text>
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                  <text>A small collection of photos from the family of Samuel John 'Lamorna' Birch. 1869-1955, the founder of the colony of artists and writers  who lived and worked in and around the Lamorna Valley near Penzance, Cornwall. &#13;
He was born near Liverpool in 1869 and adopted the additional name of Lamorna after 1896.&#13;
He was married to Houghton Emily Vivian and they had two daughters, Elizabeth Lamorna (known as Mornie) and Joan Houghton.&#13;
The collection shows Lamorna with well known public figures; of himself at work;  and many of his wife and children.&#13;
Included are snapshots of many of his friends at social events.&#13;
An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson &amp; Company. 1995.&#13;
These photographs were donated by Judith Kerr, widow of Adam, grandson of Lamorna Birch.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Colwith Force cargo ship aground Falmouth Bay</text>
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            <description>The topic of the resource</description>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Postcard Glass Negative</text>
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            <name>Publisher</name>
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                <text>Morrab library</text>
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                <text>Morrab library</text>
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          <name>Period Costume</name>
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            <description>A name given to the resource</description>
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                <text>Combined Stile &amp; Bridge across Lamorna Stream</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <name>Coverage</name>
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                <text>Lamorna</text>
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            <name>Source</name>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>A combined stile and bridge crossing the stream at Lamorna Cove near Penzance.</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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            <description>Information about rights held in and over the resource</description>
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                <text>Lamorna Cove</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <description>The topic of the resource</description>
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                  <text>Napoleon</text>
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              <description>An account of the resource</description>
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                  <text>Photographs of items from the Morrab Library's Dawson Napoleonic Collection</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>commander in Chief fo Tyroleon Troops</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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            <description>Information about rights held in and over the resource</description>
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            <description>The topic of the resource</description>
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              <description>An account of the resource</description>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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        <element elementId="53">
          <name>Building Name</name>
          <description>Name of building or structure.</description>
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              <text>N</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Commemorating visit of Queen Victoria Mounts Bay</text>
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            <description>The topic of the resource</description>
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                <text>Marazion</text>
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                <text>Original Painting may be seen at Penlee House or Council Chambers</text>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>STRT 28PG 151</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="73831">
                <text>Commemoration stone,  opening of Alexandra Rd</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1932</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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