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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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                <text>&lt;p&gt;Self-portraits of SW - in some cases done to test equipment - and interior views of her flat at 5, Noel Road, Islington.&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Brown A4 envelope 1/1 marked 'Shots from my window (pre-Zone System tests), containing views from 5, Noel Rd to test various lenses; late 1970s.&lt;/span&gt; &lt;/p&gt;
&lt;p&gt;&lt;span&gt;Yellow folder I/2 containing a selection of miscellaneous documents and personal photos.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Brown A4 envelope marked I/3, postmarked Nov. 1975 marked 'Patricia Frischer's Choice' and containing 10 of SW's prints, mostly London scenes, including 1 in colour.&lt;/span&gt;&lt;/p&gt;</text>
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&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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&#13;
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&lt;p&gt;&lt;span&gt;Brown folder 4/1 of Islington views, with selection of local government publications, late 1970s. Also shots of St Paul's, railway installations and NE industrial outskirts, &amp;amp;c, mostly c. 1975-87.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Brown folder 4/2 of Islington views, c. late 1970s.&lt;/span&gt;&lt;/p&gt;
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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                <text>Photos of squats and occupations from late 1960s, including Guildford School of Art, University of London Union (Jan. 1969), Hornsey College (Jan. 1969); also rallies and demonstrations by the National Front, the Monday Club (May 1970), CND, anti-Vietnam (including the Grosvenor Square disturbances of March 1968), pro-Biafra and anti-apartheid campaigners and Belfast peace women; also members of the London Anarchist Group.&#13;
&#13;
Yellow A4 box of prints of squats, occupations and demos from late 1960s, some duplicating material in Box 8; images of Jesse Jackson, Pat Arrowsmith et al. &#13;
&#13;
Blue card folder marked 'Basques' containing photographs and copies of a ts. article by SW relating to a trip to the Basque Country of Spain in late 1970, plus British and Spanish press material.&#13;
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                <text>London</text>
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&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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                <text>&lt;p&gt;From the late 1960s onwards Serena Wadham became increasingly interested in feminism and women's issues, and the archive contains many pictures of political meetings and demonstrations, portraits of feminist personalities, and images of women at work, at home, or engaged in leisure activities. Some were part of regular assignments, others were connected with a long-cherished - but unrealized - book project on women in contemporary society.&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Green folder 9/1 containing portraits of prominent women, including Barbara Hepworth, Germaine Greer, Elizabeth Lutyens, Pat Arrowsmith, Kate Millett, Judy Chicago, Indira Gandhi and Lisbet Holme; also street and sporting scenes, some nudes and images of friends; and a series of studies of mannequins.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Brown A4 envelope 9/2 marked 'Lesbian Issues' and containing negatives, contact sheets, prints and some written material relating to SW's lesbian interests, including correspondence with the American journal &lt;em&gt;The Ladder&lt;/em&gt;. Mostly mid-1960s.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Plastic envelope 9/3 containing 2 portraits of Lyn Redgrave. &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Brown folder 9/4 marked 'Judy Chicago' containing photographs and printed material relating to the American artist and her installation &lt;em&gt;The Dinner Party&lt;/em&gt;, exhibited in Edinburgh and London 1984-5; also an illustrated &lt;em&gt;Daily Telegraph &lt;/em&gt;article of 7 Jan 1983 by Serena Wadham and other material on Chicago's work &lt;em&gt;The Birth Project&lt;/em&gt;, including an ms card from the artist.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Brown folder 9/5 marked 'Gay Lib' containing typed and cyclostyled documents on the Gay Liberation Front, early 1972.&lt;/span&gt;&lt;/p&gt;
&lt;div&gt;&lt;span&gt; &lt;/span&gt;&lt;/div&gt;</text>
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                <text>Serena Wadham</text>
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                <text>Morrab Library</text>
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                <text>1965-1985</text>
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                <text>SWA/9</text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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                <text>Serena Wadham - Box 10 - Women (2)</text>
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                <text>&lt;p&gt;&lt;span&gt;Brown folder 10/1 marked 'Changing roles of women' containing a large selection of pictures of women doing various kinds of factory and transport work; also sporting activities (rowing, riding, karate); and the composer Thea Musgrave and film-maker Midge McKenzie at work.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Brown folder 10/2 marked 'Self-help - women's clinics'. It includes correspondence and pamphlets relating to the activities of the Florida-based Feminist Women's Health Center and its British associates, c. 1973-6; also photographs of 'self-help' cervical examinations taken by SW.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Brown folder 10/3 marked 'Women's Lib - Pix', with pictures of demonstrations and meetings on gender-equality and gay liberation issues. Includes images of Germaine Greer, Audrey Wise, Pat Arrowsmith and other personalities.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Brown folder 10/4: further images of women, at work and elsewhere.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Morrab Library</text>
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                <text>Morrab Library</text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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            <description>An account of the resource</description>
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                <text>&lt;p&gt;&lt;span&gt;Brown folder 11/1 marked 'Motorcycles/motorcyclists'. SW's mainly female biking friends and associates - Frances Popley, Bea Hawkins et al - and their equipment; cuttings, and a letter from Bea Hawkins 15 Feb. 1979. The photographs are mainly late 1970s/early 80s.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Brown folder 11/2 marked 'Women's Demos etc'. Various demos involving gender equality, late 1960s/early 70s; images of Shirley Williams, Audrey Wise, Pat Arrowsmith et al.&lt;/span&gt;&lt;/p&gt;
&lt;div&gt;&lt;span&gt; &lt;/span&gt;&lt;/div&gt;</text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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                <text>Serena Wadham - Box 12 - Children etc.</text>
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                <text>&lt;p&gt;&lt;span&gt;Brown envelope 12/1 marked 'School Children N. London', 1960s/70s.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Brown folder 12/2 marked 'Home-Workers'. Printed material and a few photos on this subject, c. 1977.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Brown folder 12/3 marked 'Male-Female': miscellaneous interactions between male and female adults and children in various settings, including the street, playgrounds, Speaker's Corner, and interiors including Roger Hilton's cottage.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;Grey folder 12/4 marked 'Fathers'. A draft article by SW, printed material, and photographs for a 1984 project on three fathers caring for their children, including the painter David Redfern.&lt;/p&gt;
&lt;div&gt;&lt;span&gt; &lt;/span&gt;&lt;/div&gt;</text>
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                <text>SWA/12</text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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            <description>An account of the resource</description>
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                <text>&lt;p&gt;&lt;span&gt;Brown folder 13/1 marked Alternative/Tammo de Jongh/Demos. Prints and contact sheets relating to the Collingwood family at their base near Camberley, and their mystico-erotic activities with personalities such as the artist/cosmologist Tammo de Jongh, Don Dewar and Richard Gardner. Late 1960s.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;Brown folder 13/2 marked 'Mariella Novotny', containing  prints, cuttings and a draft article about the 'naked novelist', 1972.&lt;/p&gt;</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>SWA/13</text>
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                <text>Camberley</text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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                <text>Serena Wadham - Box 14 - Miscellaneous projects</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;p&gt;&lt;span&gt;Brown folder 14/1A marked 'Hackney Marshes', containing river- and marsh-landscapes probably done in connection with SW's mid-70s river pollution project; but also many miscellaneous items, including street scenes, portrait studies and test shots, from the 1960s to the 80s.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Blue folder 14/1B containing miscellaneous prints, mainly landscapes in SE England.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Brown folder 14/2: studies of animals and birds.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Brown A3 envelope 14/3 marked 'St James's Pentonville Rd': prints of the derelict church, and a letter of 1 Dec. 1983 from Cornerstone Managements Ltd about the planned reconstruction.&lt;/span&gt;&lt;/p&gt;
&lt;div&gt;&lt;span&gt; &lt;/span&gt;&lt;/div&gt;</text>
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                <text>Serena Wadham</text>
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                <text>Estate of Serena Wadham</text>
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              <elementText elementTextId="101168">
                <text>Morrab Library</text>
              </elementText>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>SWA/14</text>
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&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;p&gt;&lt;span&gt;Brown folder 15/1 marked 'Prints of collages Ap. 78', containing various photo-collages done by SW, some mounted, and prints pertaining to them.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Brown A4 paper bag 15/2 marked 'Calibration prints 1980': mainly London street scenes, with some interiors; some annotated on the back with filtration and/or development data.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;White transparent A4 bag 15/3  marked 'Kaleidopix', containing prints combined with a kaleidoscopic lens.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Brown folder 15/4 marked 'Manipulations - Cut-outs': photo-collages and related prints, including some portraits (e.g. Mariella Novotny) and nudes.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Serena Wadham</text>
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                <text>Estate of Serena Wadham</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>Morrab Library</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>SWA/15A</text>
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