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Note that his conducting technique is quite unique: he can &amp; does conduct 4 players at once.  Each in a different  "tempo" - if that is not the right word, it is the nearest I can find.  He uses each of his hands independently, of course, as all good conductors do, and in addition he uses his hands higher or lower, having told the players WHERE he is going to beat for each of them.  It is this technique which allows him to control the 4 simultaneous yet independent temporal progressions'&#13;
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Susan Bradshaw: pianist and composer.'</text>
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Mary Stott&#13;
OPS Mary Stott, British writer and journalist whose latest book "Women Talking" was released by Pandora in 1987.  She was the Editor of the Guardian Women's Page from 1957 to 1972.  She has written many articles and books and served on numerous committees.  In July 1987 she celebrates her 80th birthday.&#13;
Please acknowledge:&#13;
Photograph by Serena Wadham&#13;
Camera Press London&#13;
26430-5(78)&#13;
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                <text>Scuffle at the door of 'Il Vino'</text>
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                <text>'Fracas at El Vino's&#13;
"The City is a man's world. But at El Vino's women are welcome in the back room". A classic feminist cause celebre was the campaign to win equal treatment for women in this legendary legal and financial bar</text>
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                <text>Serena Wadham&#13;
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                <text>1976</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Silver Bromide Print</text>
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            <name>Identifier</name>
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                <text>SWA.EX.035</text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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"The City is a man's world. But at El Vino's women are welcome in the back room".  A classic feminist cause celebre was the campaign to win equal treatment for women in this legendary legal and financial bar</text>
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                <text>Serena Wadham&#13;
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